In an almost ruined theater, among bizarre characters, a businessman decides to appeal to his old book of "real" magic spells to modify his financial crisis while a middle-aged man gets in trouble when his new girlfriend becomes pregnant.
ٹریلر
کاسٹ
Onur Tukel
Director
Teisha Hickman
Teisha
Franck Raharinosy
Fred
Frantzdy Alexandre
Open Mic Night Performer
Gesley Alexis
Chelsea
Jacqueline Almonte
Jackie
Bar Bar
Jessica
Jamie Block
Jamie
Irene Bremis
Wendy
Ron Brice
Bus Stop Guy
Colin Buckingham
Dean
Tavares Jamal Cherry
Bryson
Jules Citro
Comedian
Nowa Clark
Hester
Denisa
Alina
David Denowitz
Chet
Eva Dorrepaal
Lucy
Kyvon Edwin
Kelvin
Onur Tukel
Writer
آپ کو یہ بھی پسند آ سکتا ہے
Black Magic for White Boys
The Misogynists
Bad Girl Dracula
Jesus Trejo: Stay at Home Son
Man with a Plan
Teachers
The Mindy Project
Benched
I'm Sorry
Casual
Episodes
Happy Endings
The Sinner
Genius
Married
High Maintenance
Another Period
Modern Dynasty
Just Jillian
Another Era
Weird Earth
Grown-ish
Black-ish
American Housewife
تبصرے
10 تبصرے
source: Black Magic for White Boys
Intertwining stories about the manager of a small, struggling theater who has to resort to his real magic book to make ends meet, and a middle-aged man-child having to deal with his girlfriend's unwanted pregnancy. There's some good stuff here, which would make some sort of minor hit under different conditions. However, the movie falls into the same traps as many other wannabe-indie comedies do: A middle-aged man who still acts like a child is N-O-T funny. Not since Seinfeld. If anything, the character irritates the hell out of the audience. Plus, bombarding the audience's ears with three people talking at once, with each one trying to outdo the others as if they were in a fast-talking contest, does not help either. Such long dialogue gives the impression that the writer has a deep, Shakespearean story to tell with many facades, although his material is actually very thin, very light. Not that this is a bad thing, of course, great movies can be made from thin material. But as long as they're treated properly, not as if they're a Greek tragedy. And there are too many references to other movies, which looks like a sad attempt to look Tarantino-esque: Friday The 13th, The Invisible Man, The Elephant Man, Slumdog Millionaire, Misery, and a few more. But I don't expect anyone to think "Well, this guy sure knows his movie history! Welcome, Tarantino 2.0!" They look more like random movie names sprinkled throughout the script. The director does manage to juggle the two main stories somewhat seamlessly, which is something that not every moviemaker can do. And some characters and some scenes work, but overall, it comes off as mediocre. It's a chore to follow everything that's being said, and that's not a good sign for a comedy. Five stars is actually very generous.
Not bad, not bad at all. I enjoyed it. The ending was pretty weak though.
This is watchable though suffers from a weak script, and some less than stellar acting. The black characters were excellent, but the rest of the cast struggled with the poor dialogue and direction. The plot didnt really make a lot of sense and the ending was weak. None of the white characters were engaging or very likeable. Wouldn't really recommend.
source: Black Magic for White Boys
This is watchable though suffers from a weak script, and some less than stellar acting. The black characters were excellent, but the rest of the cast struggled with the poor dialogue and direction. The plot didnt really make a lot of sense and the ending was weak. None of the white characters were engaging or very likeable. Wouldn't really recommend.
Intertwining stories about the manager of a small, struggling theater who has to resort to his real magic book to make ends meet, and a middle-aged man-child having to deal with his girlfriend's unwanted pregnancy. There's some good stuff here, which would make some sort of minor hit under different conditions. However, the movie falls into the same traps as many other wannabe-indie comedies do: A middle-aged man who still acts like a child is N-O-T funny. Not since Seinfeld. If anything, the character irritates the hell out of the audience. Plus, bombarding the audience's ears with three people talking at once, with each one trying to outdo the others as if they were in a fast-talking contest, does not help either. Such long dialogue gives the impression that the writer has a deep, Shakespearean story to tell with many facades, although his material is actually very thin, very light. Not that this is a bad thing, of course, great movies can be made from thin material. But as long as they're treated properly, not as if they're a Greek tragedy. And there are too many references to other movies, which looks like a sad attempt to look Tarantino-esque: Friday The 13th, The Invisible Man, The Elephant Man, Slumdog Millionaire, Misery, and a few more. But I don't expect anyone to think "Well, this guy sure knows his movie history! Welcome, Tarantino 2.0!" They look more like random movie names sprinkled throughout the script. The director does manage to juggle the two main stories somewhat seamlessly, which is something that not every moviemaker can do. And some characters and some scenes work, but overall, it comes off as mediocre. It's a chore to follow everything that's being said, and that's not a good sign for a comedy. Five stars is actually very generous.
Not bad, not bad at all. I enjoyed it. The ending was pretty weak though.
Black Magic for White Boys
