Pioneers of video art, The Vasulkas are lifetime hackers and grandparents of the "YouTube" generation. They are struggling in their retirement years to archive their body of work. By a fluke they are rediscovered by the art world that had forgotten them. People and institutions are all of a sudden fighting over who will represent them when they are gone.
Trailer
Pemeran
Hrafnhildur Gunnarsdóttir
Director
Ian Anderson
Self
Laurie Anderson
Self
David Byrne
Self
Jackie Curtis
Self
Salvador Dalí
Self
Candy Darling
Self
Miles Davis
Self
Philip Glass
Self
Jimi Hendrix
Self
Nam June Paik
Self
Kristín Scheving
Self
Patti Smith
Self
Steina Vasulka
Self
Woody Vasulka
Self
Andy Warhol
Self
Mungkin Anda Juga Suka
The Vasulka Effect
InnSaei - The Sea Within
The Seer and the Unseen
Sexology
Janani - AI Ki Kahani
From Repair to Pair
Against the Tide
Sex Next Door
America's Sweethearts: Dallas Cowboys Cheerleaders
Marvel Studios: Assembled
Trust Me: The False Prophet
Michael Jackson: The Verdict
Secrets of Playboy
The Manhattan Alien Abduction
The Takedown: American Aryans
Unfollowed
Should I Marry a Murderer?
Predators
Crime & Justice
Emergency
Behind Bars: The World's Toughest Prisons
Body Cam
Girls Gone Wild: The Untold Story
Bad Influence: The Dark Side of Kidfluencing
Komentar
5 Komentar
source: The Vasulka Effect
Inside every bloated documentary, there is a succinct documentary trying to get out. Perhaps if you're massively interested in the works of Steina and Woody Vasulka, you can tolerate all the stuff about archiving to hard drive. But if you're a casual observer, perhaps attracted by the Arena imprimatur, you may find this much more filler than thriller -- or too much noise to signal, if you prefer. I did persevere with this for the full 86 and a half minutes, but I ended up not really understanding why the works and/or methods of Steina and Woody Vasulka were truly significant. Be kind rewind. And possibly also fast forward?
source: The Vasulka Effect
Inside every bloated documentary, there is a succinct documentary trying to get out. Perhaps if you're massively interested in the works of Steina and Woody Vasulka, you can tolerate all the stuff about archiving to hard drive. But if you're a casual observer, perhaps attracted by the Arena imprimatur, you may find this much more filler than thriller -- or too much noise to signal, if you prefer. I did persevere with this for the full 86 and a half minutes, but I ended up not really understanding why the works and/or methods of Steina and Woody Vasulka were truly significant. Be kind rewind. And possibly also fast forward?