A translator working for the police gets involved in the other side of drug dealing.
Trailer
Pemeran
Jean-Paul Salomé
Director
Isabelle Huppert
Patience Portefeux
Yann Sundberg
Fredo
Michaël Louchart
Commandant BRI
Raphaël Quenard
Mika
Mounir Kateb
Trafiquant
Hippolyte Girardot
Philippe
Liliane Rovère
Mère de Patience
Farida Ouchani
Kadidja
Dominique Jayr
Madame Léger
Iris Bry
Hortense
Emilie Lacroix
Patience petite
Léonore Confino
Directrice EHPAD
Jeanne Deprez
Fatou
Marlene Philibert
Infirmière EHPAD
Nadja Nguyen
Madame Fo
Rebecca Marder
Gabrielle
Ben Richardot
Agent Brigade canine
Yasin Houicha
Afid
Hannelore Cayre
Writer
Jean-Paul Salomé
Writer
Antoine Salomé
Writer
Mungkin Anda Juga Suka
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Why Women Kill
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Pritam Pedro
The Woman in the House Across the Street from the Girl in the Window
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Annaliza
Beautiful Revenge
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Rake
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Ludwig
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Komentar
10 Komentar
nice
I admit I'm sceptical about French comedies. They are often too talkative, have no pace, are somehow not my thing. I only went to see Mama Weed because of Isabelle Huppert, whom I consider one of the greatest actresses in France, and I was not disappointed. Already in the first minutes I was convinced by her dry, slightly nervous and off-track characterisation of an academic who seems to have become like pearls before swine in the police service. It is therefore only logical that she uses her knowledge to go to the other side, namely that of the criminals, here specifically drug dealers. The fact that morality falls by the wayside in a comedy is perfectly fine, but the way in which various stereotypes are celebrated here in a completely politically incorrect manner is simply fun and would be unthinkable in Hollywood today. Added to this is an ensemble that gives the monkey sugar in a completely harmonious and playful way. In addition to the excellent Huppert, Lilane Rovère should be mentioned as the demented mother, as well as Nadja Nguyen as the devious neighbour.
japanese language
