Jules believes she's finally free from her abusive husband Billy after a house fire during their last fight, but as she starts to move on, she experiences a series of dangerous events and starts to see Billy everywhere.
Bande-annonce
Casting
Darin Scott
Director
Tamala Jones
Jules Baker
Brian White
Billy
Tisha Campbell
Detective Charice Walker
Lamon Archey
Paul Jones
Brooklyn Sudano
Dana Marks
Jackée Harry
Linda Moss
Tuc Watkins
Ron Winslow
Dan Gauthier
Kenny
Nikki Blonsky
Maria Bonilla
Jai Rodriguez
Devin
Matt Dallas
Detective Young
Bunny Daniels
Helen
Danielle Burgio
Miranda
Anthony Cherry
Grant
Rukkmini Ghosh
Luna
Al Burke
Police Sergeant
Anthony Cherry
Grant
Jennifer Edwards
Writer
Amy Katherine Taylor
Writer
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Traqués
Commentaires
10 commentaires
source: Every Breath She Takes
I think the negative reviewers were really being unfair to this film. Director. Darin Scott and writers Jennifer Edwards and. Amy Katherine Taylor delivered an impressive piece of suspense filmmaking with bits of Gothic horror. Tamala Jones is excellent int he role of Jules Baker, an abused wife finny coming out of her shell after losing her husband six months previously, and Lamon Archey is equally impressive as the new man in her life. It's hardly a great. Movie, but it's first-rate within the limits of Lifetime's formulas and the surprise ending is quite credible. I found it entertaining and a lot of fun.
Jules Walker is a talented artist who runs a studio where she teaches other artists. The paintings for the current project were self-portraits, and they were very good. The main action was a melodramatic tug-of-war between Jules and her abusive husband Billy. At the precise moment when Jules was ready to divorce him, a mysterious fire occurred in their home in which Billy died. Or did he? Jules often experiences moments when Billy returns from the grave. Is the sinister presence of Billy deriving from Jules' imagination? Or is it conceivable that he faked his death? The good questions raised in the film were undermined by an overly talky screenplay. There simply wasn't enough action to sustain any significant dramatic tension. The film bordered on opera in the long expostulations of Jules Walker. So, in every breath she takes, one must be prepared for a lengthy aria.
This movie made no sense. It was very painful to watch. She had been abused by her crazy husband for years. I hated the mother and the insurance investigator. Both kept saying she did it and she was crazy. No one would believe what she was saying. Some people made her think she was crazy which she was not. Do not waste your time watching this horrible movie. Who produced this movie should be ashamed of themselves. Worst movie ever. There are not enough words to detail how bad it is. She did not know who she could trust. I cannot believe I have to write so many words for something that was just awful.
I think the negative reviewers were really being unfair to this film. Director. Darin Scott and writers Jennifer Edwards and. Amy Katherine Taylor delivered an impressive piece of suspense filmmaking with bits of Gothic horror. Tamala Jones is excellent int he role of Jules Baker, an abused wife finny coming out of her shell after losing her husband six months previously, and Lamon Archey is equally impressive as the new man in her life. It's hardly a great. Movie, but it's first-rate within the limits of Lifetime's formulas and the surprise ending is quite credible. I found it entertaining and a lot of fun.
Jules Walker is a talented artist who runs a studio where she teaches other artists. The paintings for the current project were self-portraits, and they were very good. The main action was a melodramatic tug-of-war between Jules and her abusive husband Billy. At the precise moment when Jules was ready to divorce him, a mysterious fire occurred in their home in which Billy died. Or did he? Jules often experiences moments when Billy returns from the grave. Is the sinister presence of Billy deriving from Jules' imagination? Or is it conceivable that he faked his death? The good questions raised in the film were undermined by an overly talky screenplay. There simply wasn't enough action to sustain any significant dramatic tension. The film bordered on opera in the long expostulations of Jules Walker. So, in every breath she takes, one must be prepared for a lengthy aria.
source: Every Breath She Takes
This movie made no sense. It was very painful to watch. She had been abused by her crazy husband for years. I hated the mother and the insurance investigator. Both kept saying she did it and she was crazy. No one would believe what she was saying. Some people made her think she was crazy which she was not. Do not waste your time watching this horrible movie. Who produced this movie should be ashamed of themselves. Worst movie ever. There are not enough words to detail how bad it is. She did not know who she could trust. I cannot believe I have to write so many words for something that was just awful.
