6 na taon pagkatapos ng pagkamatay ng kanilang anak, ang buhay ng isang hiwalay na mag-asawa ay biglang naapektuhan ng isang supernatural na kaganapan at sila ay muling pinagsama ng mga kaganapan na nagbibigay sa kanila ng pagkakataong magpatawad.
Trailer
Cast
Karen Moncrieff
Director
Lee Pace
Mark
Carrie Coon
Elizabeth
Sander Thomas
Jacob
Ray Baker
Lenn
Amy Smart
Amy
Julian LaTourelle
Dash
Ana Ortiz
Janice
Cliff Chamberlain
Smith
Lylah Raye Acosta
Emma
Ruby Moncrieff-Karten
Isabelle
Molly Hagan
Daniels
Anna Diop
Kate
Christina Vidal
Gwen
Jane Daly
Elizabeth's Mother
Harvey J. Alperin
Train Store Owner
Julia Boorstin
Anchor
Gus Buktenica
Gary
Karen Baxter
Mother of the Groom
Rebecca Sonnenshine
Writer
Maaari Mo Ring Magustuhan
The Keeping Hours
Werewolf Castle
A Love Story from the Streets
Missionary
Stranger Things
The Originals
Siren
The Strain
Wolf Pack
The Order
Midnight Mass
Hemlock Grove
The Secret Circle
Light as a Feather
The Changeling
Interview with the Vampire
Into the Dark
Ravenswood
Ghost Wars
South of Hell
Monsterland
Dead of Summer
The Twilight Zone
Goddess Bless You from Death
Mga Komento
10 Mga Komento
he's lucky to get another chance, meeting his dead son, having back his wife before she passed away.
I am here because of Ms. Moncrieff, she did not write it but it does not matter, She is an expert behind the camera as well as with the pen. Originally as I was watching it, I thought it was cute and sweet and made a few cute jokes about how much I learnt from this film, and was ready to post that thread , but after getting through to the end I said to myself, wait, there is no making jokes here, I was overwhelmed at the end, and why not, why can't there be angels perhaps that others can't see but some can? I found this to be a very interesting, deep, beuatiful mediation on that tiny little rift between time and all of space to perhaps give us a little bit of solace here in this realm, especially when there are those who are going through so much. I think the writing was stellar and Karen really shows her skills at setting the camera at just the most unquie and artistic moments to capture something really creative and wonderful. I hope she continues on, the fact that this lady is not involved heavily with at least scripts doctoring is insane, I hope she is, but she definitely needs to be directing a whole lot more!
The movie is not good!!Avoid it at any cost.You've been warned!
The only reason I can give this two stars is that it fooled me into watching the whole thing. Nothing happens in this movie. Mysteriously a child comes back as a ghost and there are no supernatural consequences?! This movie is ridiculous.
Except one the characters is dead. If you strip away the supernatural aspect of it, it's a painfully dull plodding work about a kid desperate to get his parents back together. And of course all the female characters are noble and empowered and right about everything forever and demand endless compliance from all men because let's face facts, all women are victims and all men are bullies and monsters. PS about 60% is the teary soundtrack.
A story has that much of fancy but can makes you feel that much of loving your reality and keeps you in that positive energy and thinking to be more happy with what you already have....
Don't be fooled by the marketing or the connection with Blumhouse. This movie is no horror or thriller. It is a story about love, family, grief and second chances. The plot is simple but the director does a good job in keeping it interesting. The cinematography is absolutely beautiful but the music doesn't fit the mood of the movie. Lee Pace and Carrie Coon are absolutely brilliant though the son is less than memorable. There is a twist towards the end which makes you rethink why the son has came back. Overall, the Keeping Hours is perfectly enjoyable if you have the right mindset. It makes you wonder why such a quality, award winning movie would be dumped to VOD.
Tender and painful, beautifully executed movie. Not a typical "horror" movie but eerie enough to keep me watching. Characters are well played, and captured that feeling we all have from time to time, that it's "hard to move on".
The Keeping Hours speaks to me of the tortured healing process that everyone goes through after suffering a tragic loss. The main characters in this film portray believable characters; more importantly, this film invokes my total empathy for this couple as they come to grips with the loss of their son. The last few scenes are the ones that I cherish - the haunting music, the pathos, the acceptance of what is and what has happened - I was so deeply moved and still to this day, I so appreciate the depth of this film and especially the redemption of the souls of the characters. Bravo to the writer, ditto for the composer of the score. Job very well done. And thank you.
I must be a soft-hearted woman on the inside of this burly bearded man, but this is one of the best films I've ever seen, comparable to The Legend of 1900 in beauty and sentiment. But it has ghosts, and dead birds, and poltergeist activity. But I promise that even the most sensitive viewer who avoids Horror like the plague will love this gem of a movie. I know my wife will, and she likes flowers, butterflies, and chick-flicks. This one has all of those too. And the perfunctory sex scene is done very tastefully, no nudity, and extremely loving between man and wife.
