A home-care nurse's relationship with the family she has spent years working for is threatened when her nephew is arrested for kidnapping their daughter.
Trailer
Cast
Kôji Fukada
Director
Mariko Tsutsui
Ichiko Shirakawa
Mikako Ichikawa
Motoko Oishi
Sôsuke Ikematsu
Kazumichi Yoneda
Kentez Asaka
Reporter
Mitsuru Fukikoshi
Kenji Tozuka
Nahoko Kawasumi
Yôko Oishi
Miyû Ogawa
Saki Oishi
Hisako Ôkata
Tôko Oishi
Ren Sudo
Tatsuo Suzuki
Kôji Fukada
Writer
Kazumasa Yonemitsu
Writer
Maaari Mo Ring Magustuhan
A Girl Missing
Cruise Ship Murder
Harmonium
Love Life
Antihero
Blood & Water
Unveil: Jadewind
Crown Lake
Instinto
Reborn
The Imperial Coroner
Tom Swift
Kill My Sins
Low Frequency
The Gone
Apples Never Fall
The Family
Rebel Cheer Squad: A Get Even Series
Hypnotic
Oderbruch
Chloe
The Last Anniversary
Leh Game Rak
Chloe
Mga Komento
4 Mga Komento
source: A Girl Missing
Saw this at the Film Fest Ghent 2019 (filmfestival.be/en). Slow burning should not always be a problem, were it not that in this film nothing much happens, all things considered. I had expected something more substantial after Harmonium / Fuchi ni tatsu (2016). If anything, it at least succeeds in making abundantly clear, is that a series of small things, on itself mostly innocent and beyond anyone's control, can do a lot of damage when combined, resulting in derailing someone's complete life. Reputation is important, in that part of the world even more than here, and can affect the relationship with your fiancée (who is a medical doctor), can slam the door to future jobs (as a nurse), and can work out badly on your current job (nursing an elderly mother). All these problems come together in this story. Several scenes try to make clear to us, from glances exchanged, that there is more to it than we think we know at that moment, leaving it up to us to guess what lies underneath. All in all, despite obvious good intentions of the filmmakers, neither plot nor developments involved me in any way. It all comes down to an unfortunate combination of circumstances. Our main protagonist cannot help it in any way, it just happens around her. The world crumbles down and she is helpless in the process. It may all be very tragic. But a real drama should offer more, like leaving me pondering what would I've done in these circumstances to arrive at a better outcome. Or letting me fantasize what the main protagonist should have done to avert the omens at hand. But I was not involved enough to make either effort.
Sauce
