Pioneers of video art, The Vasulkas are lifetime hackers and grandparents of the "YouTube" generation. They are struggling in their retirement years to archive their body of work. By a fluke they are rediscovered by the art world that had forgotten them. People and institutions are all of a sudden fighting over who will represent them when they are gone.
الإعلان الترويجي
طاقم العمل
Hrafnhildur Gunnarsdóttir
Director
Ian Anderson
Self
Laurie Anderson
Self
David Byrne
Self
Jackie Curtis
Self
Salvador Dalí
Self
Candy Darling
Self
Miles Davis
Self
Philip Glass
Self
Jimi Hendrix
Self
Nam June Paik
Self
Kristín Scheving
Self
Patti Smith
Self
Steina Vasulka
Self
Woody Vasulka
Self
Andy Warhol
Self
قد يعجبك أيضًا
The Vasulka Effect
InnSaei - The Sea Within
The Seer and the Unseen
Sexology
Uranium: Twisting the Dragon's Tail
Kingdom
كيف تصبح ثريا؟
Good Girl's Guide to Kinky Sex
تجارة المخدرات
عالم الحيوان المدهش
Curvy Girls: Stripped Bare
حرج: ما بين الحياة والموت
The Principles of Pleasure
داخل أقسى سجون العالم
High Society
Trust Me: The False Prophet
Michael Jackson: The Verdict
حالات طوارئ: مدينة نيويورك
الكون: رحلة في الزمكان
Planet Earth III
كشف المستور: مشاريع الأجسام الطائرة المجهولة
Paranormal Caught on Camera
Should I Marry a Murderer?
Emergency
التعليقات
5 تعليق
source: The Vasulka Effect
Inside every bloated documentary, there is a succinct documentary trying to get out. Perhaps if you're massively interested in the works of Steina and Woody Vasulka, you can tolerate all the stuff about archiving to hard drive. But if you're a casual observer, perhaps attracted by the Arena imprimatur, you may find this much more filler than thriller -- or too much noise to signal, if you prefer. I did persevere with this for the full 86 and a half minutes, but I ended up not really understanding why the works and/or methods of Steina and Woody Vasulka were truly significant. Be kind rewind. And possibly also fast forward?
source: The Vasulka Effect
Inside every bloated documentary, there is a succinct documentary trying to get out. Perhaps if you're massively interested in the works of Steina and Woody Vasulka, you can tolerate all the stuff about archiving to hard drive. But if you're a casual observer, perhaps attracted by the Arena imprimatur, you may find this much more filler than thriller -- or too much noise to signal, if you prefer. I did persevere with this for the full 86 and a half minutes, but I ended up not really understanding why the works and/or methods of Steina and Woody Vasulka were truly significant. Be kind rewind. And possibly also fast forward?