في قالب متداخل يحمل قصة داخل قصة، تتابع القصة اﻷولى (سوزان) التي تتلقى مخطوطة رواية من زوجها السابق يطلب فيها رأيها.. بينما تتابع القصة الثانية المخطوطة الفعلية، والتي تتابع قصة رجل يسعى للانتقام من قتلة زوجته وابنته بعد رحلة بالسيارة في طريق مهجور.
الإعلان الترويجي
طاقم العمل
Tom Ford
Director
Amy Adams
Susan Morrow
Jake Gyllenhaal
Tony Hastings
Jake Gyllenhaal
Edward Sheffield
Michael Shannon
Bobby Andes
Aaron Taylor-Johnson
Ray Marcus
Isla Fisher
Laura Hastings
Ellie Bamber
India Hastings
Armie Hammer
Hutton Morrow
Karl Glusman
Lou
Robert Aramayo
Turk
Laura Linney
Anne Sutton
Andrea Riseborough
Alessia
Michael Sheen
Carlos
Bobbi Salvör Menuez
Samantha Morrow
Imogen Waterhouse
Chloe
Franco Vega
Driver
Zawe Ashton
Alex
Evie Pree
TV Woman #1
Beth Ditto
TV Woman #2
Tom Ford
Writer
Austin Wright
Writer
قد يعجبك أيضًا
حيوانات ليلية
Pussy Kills
Pretty Thing
Fatal Desires
الموهبة
فضيحة
الشك المعقول
منزل الخدع
وزيرة الخارجية
الوصايا
هجوم يوم الصفر
السباحة مع أسماك القرش
اللاعقلاني
السلالة
Fatal Attraction
ما قبل
المؤامرة ضد أمريكا
لا توجد فرصة ثانية
Fatal Attraction
الوكالة
Vis a vis
Hell University
خارج الدائرة
Saving Grace
التعليقات
10 تعليق
Heard it overrated
Non-Consent theme makes me extremely furious
What can I say about this movie? I think it's overrated, over-hyped, and overpraised. I believe media loves this movie because they're actually praising Tom Ford the stylist, not Tom Ford the filmmaker. The movie undeniably has good qualities - beautiful cinematography, lavish costume design, amazing cast (Michael Shannon's performance is flawless and deserves an Academy Award). However, the screen script is weak, pretentious and childish. The book written by Tony Hastin looks more interesting than the movie itself. I don't understand the need to tell a story inside a story when the main story line is weak, full of clichés and unconvincing. The love story between Susan and Edward didn't convince me at all. It all seemed very poorly developed, the flashback moments were cold, they always seemed like two teenagers speaking - no substance, no deepness, nothing that Tom Ford's target audience would expect, I believe. Edward's little plot of revenge is absurdly childish, also laughable. That's why the character is not convincing to me. It's all absurdly immature. Honestly, I believe Tom Ford was more worried about making a visually impacting movie than actually a good one. He has yet a lot to learn about what is necessary to be a good filmmaker.
