A comical attempt to save a New Jersey record store and confront a mid-life crisis.
الإعلان الترويجي
طاقم العمل
Christopher Wilcha
Director
Judd Apatow
Self
Monica Bill Barnes
Self
Anna Bass
Self
Dan Dondiego Jr.
Self - Flipside Records Owner
Ira Glass
Self
Starlee Kine
Self
Herman Leonard
Self
David Milch
Self
Rita Stern Milch
Self
Kerry O'Neill
Self - Tattoo Shop Owner
Daniel Salsberg
Self - Owner of Station 1 Books & Vinyl
Joe Smith
Self - Employee of Station 1 Books & Vinyl
John S. Wilcha
Self
Pat Wilcha
Self
Christopher Wilcha
Self
Esmé Wilcha
Self
Ollie Wilcha
Self
Tracy Wilson
Self
Joe Beshenkovsky
Writer
Adam Samuel Goldman
Writer
Christopher Wilcha
Writer
قد يعجبك أيضًا
Flipside
Addicted to Sexting
Rat Film
Stormy
Sex Sells
تجارة المخدرات
استوديوهات مارفل: مجمعة
The BMF Documentary: Blowing Money Fast
The Principles of Pleasure
Top Guns: The Next Generation
Trust Me: The False Prophet
Michael Jackson: The Verdict
Anunnaki: Ancient Secrets Revealed
Rich & Shameless
Secrets of Playboy
أصحاب الأعمال الجانبية
Explained
كشف المستور: مشاريع الأجسام الطائرة المجهولة
الإطاحة: الآريون الأمريكيون
Should I Marry a Murderer?
كريستيان أمانبور: الجنس والحب حول العالم
Turning Point: The Bomb and the Cold War
العمل: ما نفعله طوال اليوم
The Hair Tales
التعليقات
5 تعليق
source: Flipside
I was lucky to see the premiere at TIFF. What a wonderful film! It's messy in a good way, like real life, like real creation. At first it's not clear where it's going, but Chris Wilcha successfully lands the plane in a very satisfying way. It's also surprisingly deep. It made me question how I'm spending my life, and the pull of practical decisions that make us get away from what we really want to be doing. There are many threads in this film, and the level of difficulty is very high. I'm sure Wilcha's whiteboard has even more complex diagrams than Chris Nolan's. But the central unifying force of the film is Wilcha himself, and he's very authentic in a way that is easy to relate to. His struggles are very common ones, even if we're not making films, and his relationship with his past and the passage of time hit me very hard, as a 41 year old. If you have a chance to see this one, I highly recommend it! The scenes with David Milch is touching, and I now want to buy Herman Leonard's book of jazz photos.
