Hugo Sennart, a French gypsy, is wanted by the police for theft. Gypsy has a couple of scores to settle and one more little thing to do before he fades into the shadows.
ٹریلر
کاسٹ
José Giovanni
Director
Alain Delon
Hugo Sennart, Le Gitan
Paul Meurisse
Yan Kuq
Annie Girardot
Ninie
Marcel Bozzuffi
Policeman Blot
Bernard Giraudeau
Mareuil
Renato Salvatori
Jo Amila, dit "Jo le boxeur"
Maurice Barrier
Jacques Helman
Maurice Biraud
Pierrot le naïf
Nicolas Vogel
Jeannot
Michel Fortin
Marcel
Pierre Danny
Riquet
Adolfo Lastretti
A brother Rinaldi
Rino Bolognesi
A brother Rinaldi
Jacques Rispal
Docteur J. Weiss, le vétérinaire
Mario David
Bob
Marc Eyraud
Le médecin
Georges Wod
Lawyer Yan
José Giovanni
Writer
Franco Verucci
Writer
آپ کو یہ بھی پسند آ سکتا ہے
Call Me Alma
Dangerous Mind of a Hooligan
The Irish Mob
Krista
Bandi
Reef Break
The Forest
Defendant
The Promise
Power
Power Book II: Ghost
Peaky Blinders
Power Book III: Raising Kanan
Godfather of Harlem
Spinners
Matlock
Ballard
Dope Thief
This City Is Ours
Legends
The Witness
Thugs Cry
Ludik
The Westies
تبصرے
6 تبصرے
source: The Gypsy
Le gitan
Deloin plays a gypsy and looks slightly ridiculous. The plot is overcomplicated because of the addition of master burglar Yan. The main police officer is a colorless character. But still it is a reasonable entertaining film. Perhaps a bit too slow here and there. If you're looking for Eurocrime, there is definitely better material out there.
I found this movie to be low-key and subtle. There are three parallel story streams led by Delon as the gypsy Hugo Sennart, Meurisse as Yan Kuq the fence and safe cracker, and Bozzuffi as the cop whose task it is to bring them in. The film is character driven, but interest in the characters grows while watching the film as opposed to movies in which the characters demand attention from the beginning. It is a story primarily about men. These are hard people whether Gypsy, cop, or thief, and any sentimentality is tempered with cold reality. Several scenes with Alain Delon and young boys support the growing understanding that Sennart (Delon)is running out of time and add to the sense of underlying melancholy. The scene with Delon watching the flight of flamingos is something I will never forget or grow tired of watching. I would describe this movie as beautiful - subdued - with strong emotional undercurrents.
Another film directed and adapted by the very same person: Jose Giovanni, as he already did for LA SCOUMOUNE, three years earlier. This movie starring Alain Delon is rather well made, with convincing performances, especially Annie Girardot as a supporting character. The underworld is of course shown in a way different as it is now. A lost atmosphere, with much nostalgia. I love this. I would point out that the Paul Meurisse and Marcel Bozzufi's characters are here the total opposite as they were in LE DEUXIEME Soufflé, also adapted from Giovanni and directed by Jean-Pierre Melville. In this movie, the Melville's one, Meurisse was the cop and Bozziffi the Hood. Here, Bozzuffi is the cop and Meurisse the gangster. A film that makes you think of the gypsies way of life and the behavior that the french government shows against this community. The way the authorities ostracize those people. It may be revolting.
