Young Danny Flynn is released from prison 14 years after "taking the rap" for the IRA and tries to rebuild his life in his old Belfast neighborhood.
ٹریلر
کاسٹ
Jim Sheridan
Director
Daniel Day-Lewis
Danny Flynn
Emily Watson
Maggie
Daragh Donnelly
Prison Officer
Frank Coughlan
Prison Officer
Sean Kearns
Prison Officer
Lorraine Pilkington
Bride
Niall Shanahan
Groom
John Wall
Priest
Maria McDermottroe
Betty
Carol Moore
Wedding Guest
Kate Perry
Wedding Guest
Andrea Irvine
Wedding Guest
Joan McGarry
Wedding Guest
Theresa McComb
Wedding Guest
Catherine Dunne
Wedding Guest
Kerrie Duggan
Wedding Guest
Sharon Dunne
Wedding Guest
Derbhla McClelland
Wedding Guest
Jim Sheridan
Writer
Terry George
Writer
آپ کو یہ بھی پسند آ سکتا ہے
In from the Side
Lincoln
Phantom Thread
Disobedience
Legend of the Last Emperor
Off Campus
Go Go Squid!
Heated Rivalry
Amidst a Snowstorm of Love
We Best Love: No.1 for You
Falling Into You
The Rebound
Gank Your Heart
Hello, the Sharpshooter
The Whirlwind Girl
You're My Sky
Our Days
When We Were Young
Hearts on Ice
Basket Loveball
Love All Play
Youngins
Teen Wolf
All the Queen's Men
تبصرے
10 تبصرے
source: The Boxer
Yes, I loved "My Left Foot." Yes, this movie has lots of gritty detail. Yes, the acting's all that I expected. But, especially after just viewing the same team's "Some Mother's Son," I'm afraid my only printable comment is, "a fairy tale."
This is a very good movie, although on a now familiar topic of the Northern Ireland conflict. Its greatness, though, stems from an extraordinary performance from that most extraordinary of movie actors, Daniel Day-Lewis. The strength of Day-Lewis's portrayal of the ex-con boxer who is released from to return to a city divided by war and police barriers, is in the silence of the character. Day-Lewis's ability to convey depths of emotion through a look, a nod, a glance, a hand movement, is what makes him perhaps the best actor working (when he decides to work) today. This role, and the excellent Emily Watson's performance, allow this movie to rise well above the potentially trite (though always riveting) subject matter to make this film most worthwhile.
