Travis Henderson, an aimless drifter who has been missing for four years, wanders out of the desert and must reconnect with society, himself, his life, and his family.
ٹریلر
کاسٹ
Wim Wenders
Director
Harry Dean Stanton
Travis Henderson
Nastassja Kinski
Jane Henderson
Dean Stockwell
Walt Henderson
Sam Berry
Gas Station Attendant
Bernhard Wicki
Doctor Ulmer
Aurore Clément
Anne Henderson
Claresie Mobley
Car Rental Clerk
Hunter Carson
Hunter Henderson
Viva
Woman on TV
Socorro Valdez
Carmelita
Edward Fayton
Hunter's Friend
Justin Hogg
Hunter (Age 3)
Tom Farrell
Screaming Man
John Lurie
'Slater'
Jeni Vici
'Stretch'
Sally Norvell
'Nurse Bibs'
Sharon Menzel
Comedienne
The Mydolls
Rehearsing Band
L.M. Kit Carson
Writer
Sam Shepard
Writer
Walter Donohue
Writer
آپ کو یہ بھی پسند آ سکتا ہے
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Vikings
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Power Book II: Ghost
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The Day of the Jackal
The Summer I Turned Pretty
Tulsa King
Never Have I Ever
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See
Power Book III: Raising Kanan
Off Campus
The Lord of the Rings: The Rings of Power
تبصرے
8 تبصرے
source: Paris, Texas
Paris, Texas
This film is a classic in my opinion. The story is very strongly influenced by its writer's, Sam Shepard, exploration of the human condition. The film is not for everyone. Wim Wenders paces the storyline accordingly to the psyche and struggle of the main character, and the concept of searching for answers to his natural state of mind by returning to the place of his conception is a well thought out and intriguing premise for this film. I have seen this film more than seven times, and love the slow pace because it allows me to be drawn into that world completely and really have the chance to get to know each character. Recommended to anyone with an interest in psychology, cinematography, Sam Shepard's style of story-telling, and movies that walk to their own beat. Natascha Kinski and Stanton are excellent. I give it 8 stars (9 if they would release it letterboxed on DVD)
I first saw this film almost fifteen years ago and thought about almost nothing else for at least a month. I have never seen a film before or since that presents the extremes of love, pain, and loss with such immediacy and ruthless candor. Watching this film with openness, identifying with the characters, made me wince and writhe in sympathetic agony. I didn't cry; rather, I was reminded of all the times I have wept in my life, and why. Perhaps each person person has a film -- usually a masterpiece -- which affects him or her so strongly that it is beyond description. This is mine.
Also my second favourite film of 1984 after Amadeus. Paris, Texas is just wonderful. The movie looks beautiful, the scenery is stunning and the cinematography and editing are just textbook examples of how to photograph and edit a movie. There is also a haunting guitar score that adds to the emotion of this film, and a deeply moving and affecting story complete with a heart-rending confrontation. The pace is deliberately mannered, but that is not a bad thing at all, if anything it is a strength, and the script is beautifully written. The direction is also superb, while the film sees a rare leading role for Harry Dean Stanton and he is just a joy in this movie. In conclusion, Paris, Texas is a must-see, and I honestly think it is one of the best of its decade. 10/10 Bethany Cox
