An alcoholic Boston lawyer fights a law firm dean.
Trailer
Pemeran
Sidney Lumet
Director
Paul Newman
Frank Galvin
Charlotte Rampling
Laura Fischer
Jack Warden
Mickey Morrissey
James Mason
Ed Concannon
Milo O'Shea
Judge Hoyle
Lindsay Crouse
Kaitlin Costello Price
Edward Binns
Bishop Brophy
Julie Bovasso
Maureen Rooney
Roxanne Hart
Sally Doneghy
James Handy
Kevin Doneghy
Wesley Addy
Dr. Towler
Joe Seneca
Dr. Thompson
Lewis J. Stadlen
Dr. Gruber
Kent Broadhurst
Joseph Alito
Colin Stinton
Billy
Burtt Harris
Jimmy - the Bartender
Scott Rhyne
Young Priest
Susan Benenson
Deborah Ann Kaye
David Mamet
Writer
Barry Reed
Writer
Jay Presson Allen
Writer
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Komentar
8 Komentar
source: The Verdict
The Verdict
The Verdict is what The Color of Money should have been. In The Color of Money, Paul Newman plays an old hustler who used to be young and famous. He trains and teaches a young upstart, but it was hardly an interesting storyline. Wouldn't it have been a more captivating plot if he used to be young and famous, and now, he's washed up, playing the small time again and struggling with an alcohol problem? I think so. In The Verdict, Paul Newman plays a lawyer who once had a future in a prestigious law firm. Now, he's a washed up alcoholic, chasing ambulances for clients. He's given one last chance to bring a big case to court, but can he get and keep his act together and win? With a running time of over two hours, it feels a little slow. But courtroom dramas can be notoriously slow, especially in the 80s, so it's not the end of the world. It's also a little predictable, but if you like Paul Newman or stories about underdogs, definitely give it a chance.
If Newman hadn't been up against Ghandi, he probably would have. I think the Academy realized their error and Newman's win for The Color of Money was really for his portrayal of Frank Galvin, in this well-done tale of moral decrepitude and ultimate redemption. Writer Mamet and Director Lumet are into heavy symbolism throughout, with the scene of the developing Poloroids of the victim (the case becomes clear in Galvin's mind), to Galvin's pilfering of a woman's mail to run down a lead on a potential witness. The closing statement of Newman's character to the jury is powerful.
Although Paul Newman has received MANY accolades for his acting, this movie, to me, stands out as the best of all his many wonderful performances. Newman plays an alcoholic has-been lawyer who has pretty much given up on making a difference. He is an "ambulance chaser" whose only goal is to arrange a quick settlement--regardless of whether or not his clients deserve more or nothing at all (a "nuisance lawyer"). He plays this role exceptionally well and the writing and directing much also be credited. Out of the blue, he takes a case where the client has a really good case and deserves a very large judgment. However, Newman is planning on just making a quick settlement regardless of whether or not it was fair for anyone. However, over time, for once, he has a hard time living with himself and eventually decides to fight. However, the archdiocese being sued hires a team of top-rate lawyers and Newman finally refuses to back down and take a settlement. You MUST watch this movie!!!
I saw that A Civil Action was on this weekend and it reminded me of another great film - this one. With 30 years of acting under his belt, Paul Newman gave an outstanding performance as a drunk, washed-up lawyer that was handed a cakewalk that he proceeded to screw up. He managed to come out smelling like a rose through luck and skill as a lawyer. Newman was superb! He should have gotten an Oscar for this film, and I am not saying that just because I like seeing someone stick it to the high and mighty. Sidney Lumet was also great as director as should have been rewarded for this and not just given an honorary Oscar. Bruce Willis has another walk-on role.
And Newman nailed the character convincingly. I first saw this in the early 2k on a dvd which I own. Revisited it recently with my family. The scene where Frank (Newman) does sort of yeehaw knowing that he is gonna win the case n later his facial expressions in the hospital during the Polaroids developing is top notch. It has one of the best ending when Newman is sitting next to the phone... I also agree with the striking/slapping scene.
