How Italy's historic national hero Giuseppe Garibaldi led a military campaign known as Expedition of the Thousand in 1860 and conquered Sicily and Naples.
Trailer
Pemeran
Roberto Rossellini
Director
Renzo Ricci
Giuseppe Garibaldi
Paolo Stoppa
Nino Bixio
Franco Interlenghi
Giuseppe Bandi
Giovanna Ralli
Rosa
Tina Louise
French Journalist
Leonardo Botta
Menotti Garibaldi
Carlo Gazzabini
Giuseppe Sirtori
Marco Mariani
Major Sforza
Gérard Herter
French Journalist
Giovanni Petrucci
Fabrizio Plutino
Pietro Braccialini
Giuseppe Mazzini
Nando Angelini
Captain Pietro G.B. Spangaro
Vando Tress
Luigi Gusmaroli
Attilio Dottesio
Francesco Crispi
Luigi Borghese
Lieutenant De Laurentiis
Philippe Arthuys
Alexandre Dumas
Gino Buzzanca
Rosa's Father
Ignazio Balsamo
Colonel Pallavicino
Sergio Amidei
Writer
Diego Fabbri
Writer
Antonio Petrucci
Writer
Roberto Rossellini
Writer
Antonello Trombadori
Writer
Luigi Chiarini
Writer
Carlo Alianello
Writer
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Kanunsuz Topraklar
Komentar
4 Komentar
source: Garibaldi
Viva l'Italia
Excellent Film (the English 'dubbed' version) as I recall, in the Los Angeles / Southern California, region it was last shown on TV on KTLA (Channel 5) late night back in early 1980's. It is almost on par with Director David Leans' 'Lawrence of Arabia' and director Sergey Bondarchuk 'Waterloo' (Rod Steiger) as majestic Battlefield films capturing regalia, nationalistic unity, interwoven story lines, and excellent cinematography. To own a copy is a prize possession. That Director Vicente Minnelli was married to a US Entertainment icon did not deter him from paying tribute to his homeland (Italy) through this masterful film.
I think you need some knowledge of Italian history to full appreciate Roberto Rossellini's "Viva L'Italia" which has now largely been forgotten, (it's certainly no "The Leopard"), but this account of Garibaldi's fight to unify Italy still has a lot to recommend it; the battle scenes alone are some of the best on film and Rossellini shoots a lot of it in the same neo-realist style with which he made his name. It's less successful when it comes to the somewhat heavy-handed dialogue sequences and the largely wooden performance of its lead, Renzo Ricci as Garibaldi. Like Visconit's "The Leopard" it was fundamentally butchered by its American distributors who cut the film, dubbed it, consequently altering Rossellini's message but they couldn't alter the look of the film; visually this is one of the most beautiful of all Rossellini's work and its recent rediscovery is certainly welcome.
