लफंगे परिंदे

Lafangey Parindey,directed by Pradeep Sarkar is boring. The storyline is predictable. Even otherwise the movie has nothing new to offer. The climax is good. Pradeep Sarkar is a letdown. The music is good. Performance wise-Neil Nitin Mukesh is good.Deepika Padukone is very good.Piyush Mishra is first rate.Manish Chaudhary is good.Kay Kay Menon appears in a special appearance. Overall Lafangey Parindey,is a letdown.

You can surely tell 'Lafangey Parindey' has been passed through Sanjib Datta's editing bay one too many times. Style over substance is the norm as the whole film looks like what someone might vomit up after partially digesting Natarajan Subramanian's digitized footage. Eldridge Rodrigues' insistently fussy and grandiose production design mistakes extra-crisp textures, brilliant colors and high contrast backdrops for story atmosphere and style. Yes it's flashy as hell, but amphetamine-fueled methods do not compensate for distinct lack of substance. Sham Kaushal's action all but forces its bulky, twitching mass down your throat until you realize you haven't been entertained but assaulted. 'Lafangey Parindey' is certainly a front runner for one of the worst mainstream Bollywood releases of the year. It will try your patience and give you a throbbing headache - about all it does with any success.

The movie is good, something you could watch it with the entire family and get complete dose of entertainment. Sadly the title plays the spoilt-sport (wonder why the production house did not raise an objection). Niel's character has various shades to it and he attempts hard to bring out the guilt and redemption to the best of his abilities. He is good in his own right as an actor (ref. Johnny Gaddar) but here we wanted Shahid Kapoor who can elevate the character to a different level. Deepika gives her best shot to the character. Had the movie worked it would have done what "Black" did for Rani. However the portrayal of her disability lacks screen time owing to which it the character fails to evoke compassion from the audience. Deepika's performance covers up the short-coming of her male counterpart. And the friends provide good relief moments with their authentic one-liners and goofs. More screen time was warranted from Kay Kay. Piyush Mishra has a strong screen presence. Kishor Ballal's role I guess got chopped on the editing table. Songs hardly make any impact. The cinematography is good. Fight sequences are well shot and so are the skating sequences. Not a bad watch when aired on telly, but certainly not a product you would expect from Yash Raj & Parineeta director.