Weekend with the Babysitter

Annik Borel is wonderful. Some of her best * scenes are in this film, and her acting is brilliant. I bought this film solely because she was in it, but if I'd known how good the film was I might have bought it anyway. The fairly mediocre acting of the rest of the cast is made up for and more by Annik's usual perfection.

The wish dream of every older married man is realized in this film and its predecessor. The idea that some nubile teenager might be interested in him if just for a fling. Movie producer George Carey has his fling and enjoys it too. Susan Romen is the babysitter Carey romps with while Louanne Roberts the wife is off trying to score some drugs. After the sex is done this leads to some high speed chase with Carey getting some help from Romen's biker buds. It's poorly acted and directed erotica.

I rented this movie not expecting much of anything, but I was completely wrong. This movie has everything a good, campy movie from the 70's should have: drugs, sex, more drugs, and a couple of lesbians to boot. If you just want a film to pass the time, this is a pretty good one.

How could the previous reviewer not mention motorcycles, ocean cruising, flying, ski chalet fireplace, and so much more? And where else can you find Mona waiting for her husband to back the car out of the garage? Where did Mikey go? I missed that part. "Weekend..." reminded me of one of those low-budget Bigfoot movies. It certainly had it's dark moments, though. I give it an 8 for pushing the envelope.

There was a shooting star named Patricia Wymer, who appeared in a 1969 film by the same director called The Babysitter. She only did about three movies and then disappeared. Director Don Henderson brings in a new girl, Susan Romen, to play Candy Wilson, the babysitter. She only made two films. As a matter of interest, Henderson quit directing the same time after only three films. I wonder what happened to all these people. Anyway, while movie producer Jim Carlton (George E. Carey) is having fun with the babysitter and her hippie friends, his wife Mona (Luanne Roberts) is captive to her drug dealer. This is not the typical grindhouse film of the 70s. It was more a drama about hippies and drugs. Yes, there was some nudity and woman on woman action, but it was rather tame. Still, a good story, if the acting was a bit lame. Who was taking care of the kids while Jim and the babysitter were having fun?

How typical! Having turned out the delightful, The Babysitter (1969) the director and writer/star get together to do it all again. But hey, did the pair not get what made the first so much fun? I don't think so for this one takes itself so seriously it is positively boring at times. George E Carey is still effective in the main role and at the start there is some vaguely amusing stuff playing on the fact that Hollywood found it so difficult to get the whole hippie sub culture onto film effectively. But it soon drags with the wife a junkie surrounded by wooden actors and overlong sequences of cannabis smoking and bike racing. Candy is here played by Susan Romen and is fine but so coy, indeed the whole film is much less candies than the earlier one. Another sign, maybe, that this was to be a 'serious' film.

The babysitter fantasy is present in this early 1970 classic flick. A classic in its own right, Weekend with the Babysitter captured everything that was true about the 1970's. Let me explain. From the clothes, the music, the drugs, the parties, and the generation. Susan Romen is perfect as a 70's teenager who is just one of many girls of her generation who is playing with rebellion. Her beautiful innocents leads her into seducing a married man and making him see how much he truly loves his wife. Worth the 4 dollar rental fee....check it out.