In post-war London, a small boy who blames himself for the accidental death of a friend, falls under the bad influence of a street criminal.
Bande-annonce
Casting
J. Lee Thompson
Director
Andrew Ray
Frankie
Kathleen Ryan
Em
Kenneth More
Ted
Bernard Lee
Constable Chapman
Stephen Fenemore
Ron
William Sylvester
Len
Marjorie Rhodes
Mrs. Stokes
Peter Jones
Spiv
Eliot Makeham
Pawnbroker
Sidney James
Barrow Boy
Veronica Hurst
Sunday School Teacher
Sandra Dorne
Iris
Campbell Singer
Potter
Laurie Main
Bibulous Customer
Hy Hazell
Mary
Hilda Barry
Newspaper Seller
Michael Brooke
Boy Singing at Sunday School
Peggy Ann Clifford
Cafe Owner
Anne Burnaby
Writer
J. Lee Thompson
Writer
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Commentaires
9 commentaires
source: The Yellow Balloon
The Yellow Balloon
Like many post-WW2 films this intrigues as much for its location photography, as the plot itself. The concept of a working class area of Chelsea would probably amaze the residents of London SW3 today, but exist it certainly did until the late 70's. Similarly bombsights, and the capacity they had to cause accidents were to be found for almost as long. I enjoyed 'The Yellow Balloon' mainly for the reasons above, and the performance of Andrew Ray. However, imo the casting of Kathleen Ryan and Kenneth More as the parents did not convince given the setting. Even worse was the casting of William Sylvester. I felt he played the role as well as he could, but due to having to desert his natural accent he never found the capability of mastering a local one. (Dirk Bogarde for example could have made the role memorable.) Despite this, it is well worth watching particularly to understand what the then censorship board initially deemed unacceptable for young adults to watch.
A good story, well told and well made, directed with oodles of suspense by the prolific J. Lee Thompson. It's one in a sub-genre of '50s films in which children find themselves in peril, hardly a surprise when their playgrounds were bombed-out buildings and all manner of explosives and weaponry seemed littered around. This one features William Sylvester as a truly respulsive bad guy who uses a child's innocence to achieve his own murderous ends. A good supporting cast and fresh, inventive story make it a superior picture.
An interesting plot and very well acted but Frankie's accent was a bit too posh for the character. I had the pleasure of serving Veronica Hurst, who played the Sunday School teacher, in a shop in South Wimbledon, London in 1973 and she remains the most charming Lady that I have ever met.
The photography and editing in this film are first class,particularly in the climax.All very expressionistic.Actually very reminiscent of early Hitchcock.Also seeing London the way it was in 1952 ,with so many bomb sites is very nostalgic.However the story fails to grip due to its total implausibility and the use of too many clichés and coincidences.Whilst Sylvester makes a convincing villain his use of the boy in the robbery is rather beyond belief.Kenneth More as the puzzled father is just on the cusp of stardom.The next year he would appear in Genevive and the following year in the film which made his name,Reach For The Stars.Andrew Ray just seems a bit too posh to have lived in that environment and would surely have been rather more streetwise.
"the Yellow Balloon" is the second movie directed by Jack Lee Thomson, and with a B budget, directed a faced paced 80 minutes full suspensed story of a poor young teen who saw his young friend killed in an accident and getting in the claws of a killer thief. This young teen is played by the excellent Andrew Ray, also shooting his seconth movie : his wide eyes are staring dramatically at each nasty events he gets involved into. And what about his parents not understanding what happens, imagine. The rhythm of the entire movie gets more and more energic until the final chase in the sub. Available on dvd, you can double bill with "Hunted" (or "Rapt") directed by Charles Crichton one year before with an even younger boy, aged six.
Very fine, taught thriller set in a bombed out East End. Andrew Ray plays the respectable young lad who comes under the spell of a baddie (William Sylvester) and through whose eyes, unfortunately for me, the film is largely seen through. The kid does well enough but as a consequence, the film is on the edge of sentimentality the whole time. That it does avoid lapsing into paper handkerchief mode is due to the sharp direction and atmospheric cinematography, dark black shadows and all. To be fair this is also helped by the most convincing performance from the young lad who at no time goes for the easy options. Sparkling performance from Hy Hazel towards the end.
