Aristocrat Julian Markham keeps his disfigured brother, Sir Edward, locked in a tower of his house. Sir Edward occasionally escapes and causes havoc around the town.
Bande-annonce
Casting
Gordon Hessler
Director
Vincent Price
Sir Julian Markham
Alister Williamson
Sir Edward Markham
Christopher Lee
Dr. J. Neuhartt
Rupert Davies
Joshua Kemp
Uta Levka
Heidi
Sally Geeson
Sally Baxter
Peter Arne
Samuel Trench
Hilary Heath
Lady Elizabeth Markham
Maxwell Shaw
Tom Hackett
Carl Rigg
Mark Norton
Harry Baird
N'Galo
Godfrey James
Weller
James Mellor
Harry Holt
John Barrie
Franklin
Ivor Dean
Hawthorne
Danny Daniels
Witchdoctor
Michael Balfour
Ruddock
Hira Talfrey
Martha
Edgar Allan Poe
Writer
Lawrence Huntington
Writer
Christopher Wicking
Writer
Michael Reeves
Writer
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Commentaires
5 commentaires
source: The Oblong Box
The Oblong Box
"The Oblong Box" is about what you'd expect. Like "Witchfinder General" (aka "The Conqueror Worm") the previous year, a lot of it seems to be going for shock value. Vincent Price plays a 19th-century nobleman keeping his disfigured brother locked in a room...only then the brother manages to escape. There's some violence (although I wouldn't call it gore) and no shortage of women with bug-eyed, frightened looks on their faces. As with the other 1960s horror flicks based on Edgar Allan Poe stories -- although this one is not part of Roger Corman's series -- the movie only uses the title and is otherwise unrelated to the original story. There's certainly nothing special about the movie, except that it was the first pairing of Vincent Price and Christopher Lee. Otherwise, Corman's movies are the ones that I recommend. Also starring Rupert Davies, Peter Arne, Sally Geeson and Hilary Dwyer.
Disfigured in an African ritual, Edward is kept, "protected", by his brother Julian by being kept chained up in attic. He fakes his death to escape from Julian and another man is killed to take Edward's place in the "oblong box". Film looks like a low-key, photographed stageplay, a well-dressed period piece having little to do with Poe's short story, besides the title box. This is one of those films to watch primarily to enjoy the cast, lush settings and photography, hooded killers, throat-slicings, and a couple of good scares along the way, even if it has little if anything to do with Poe, just don't get one's hopes too high up. It does have a good unmasking scene, and genuinely creepy twist-ending, which still stood out in my mind years after I had last seen this film. Favourite line: "I'll only do my prowling at night."
