Le célèbre producteur-réalisateur Otto Preminger capture le terrorisme international dans ce film sur cinq adolescentes kidnappées sur un yacht par le P.L.O.
Bande-annonce
Casting
Otto Preminger
Director
Peter O'Toole
Larry Martin
Richard Attenborough
Edward Sloat
Cliff Gorman
Yafet Hamlekh
Claude Dauphin
Charles-Andre Fargeau
John V. Lindsay
Sen. Donnovan
Peter Lawford
Lord Carter
Raf Vallone
George Nikolaos
Adrienne Corri
Lady Carter
Amidou
Kirkbane
Yosef Shiloach
Hacam
Brigitte Ariel
Sabine Fargeau
Isabelle Huppert
Helene Nikolaos
Lalla Ward
Margaret Carter
Kim Cattrall
Joyce Donnovan
Debra Berger
Gertrude Freyer
Hans Verner
Freyer
Georges Beller
Patrice Thibaud
Françoise Brion
Melina Nikolaos
Erik Lee Preminger
Writer
Joan Hemingway
Writer
Paul Bonnecarrère
Writer
Marjorie Kellogg
Writer
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Commentaires
10 commentaires
source: Rosebud
Rosebud
I first saw this film in 1975 when it was first released. I was on a first date. 30 years later I am still with that date. Rosebud holds many memories for us as it was the first of many films we saw together. This is a lighthearted film, it's not written for the highly intellectual but it does have some very good actors. If you want a family film without too much violence or bad language this is the one for you. The director is of cause world renowned. One of his earlier films, but definitely not to be knocked until you've seen it. ENJOY
I'm mainly writing this to counteract all the Pretentious Haters who apparently expect every movie they see to be a masterpiece. If you think this is a terrible movie than obviously you have never actually seen one, they get much much worse. That being said this is an enjoyable movie and is definitely not evidence of Otto Preminger "Falling Off". Yes if you are hoping to see a movie on par with Munich or Day of the Jackal you may be disappointed but that's not what this movie was going for so just sit back, relax and enjoy a classic 70's film. Anytime you have too many preconceptions of what a film should be, you are setting yourself up for disappointment. I will admit that I am a bit biased towards 70's movies in general, it is in my opinion the greatest era of film stocked with hidden gems.
Here is even more evidence of the decline of director Otto Preminger in the 1970's. His penultimate film is egregiously horrific. This suspense thriller lacks both suspense and thrills. The films hackneyed script by Preminger's no talent progeny just barely surpasses the ham-fisted direction that Otto delivers.Perhaps he let his son direct most of this movie too. It certainly looks like the work of a complete amateur. Unlike many of his other failures, which are at least interesting to watch, this film has no redeeming value at all. The first problem is the way the film plods along. At times we just wonder if this story is ever going to get moving. Secondly, all of the somnolent actors look like they are lost and confused. Finally none of the characters we are suppose to be sympathetic towards deserve are sympathy. They seem either banal or puerile. Is it any wonder Mitchum turned down this stinker!
The film was so convoluted I found myself sitting trancelike in disbelief. I kept watching it to see if it would get any better....But it didn't. It looked like Peter O'toole (whom I love) sleepwalked through this one. Boring and meandering!
Spot Cliff Gorman (Cathy Casserole of The Boys in the Band), John V. Lindsey (of the Mayor's office of New York City -- wow, he was handsome!) and Kim Cattrell (Liverpool-born, but who put the sex in Sex and the City) Hint: none of these emblematic New Yorkers are sporting New York accents. Isabel Huppert and Otto Preminger and Peter Lawford are amusingly findable, too. Okay, now you've had the fun that's to be had from this sadly prophetic, but soft-core version of terrorism. Plenty of tiresome speeches about Palestine and "the Jews," and Israel, all of which are far, far past all expiration dates. Oh yes, one other pleasure for those of a certain age is a bit of retro-tourism for the way Europe looked thirty-forty years ago. Enjoy.
OK so the plot moved a bit slowly, and the dialog was stiff - but one thing stands out. This thing reeks of history. It is a terrorist film decades before its time. It features Palestinian commando's (headed by Arafat, who is mentioned by name)it mentions the Black September group by name. In one scene a top Palestinian (couldn't tell if it was supposed to be Arafat or not) explains the meaning of Jihad or holy war. Kinda makes one wonder if anyone in our State Department ever saw this movie? I give it a better than average rating simply because its got the historical context correct - - and was decades ahead of its time.
I think this movie gets lot of hate because it was marketed wrong. This is not an "action movie" as they my suggest, but rather a drama with dark comedic elements. First-off I was surprised to see a film by the great Otto Preminger panned like hell by critics and those on IMDb.Anyway,I think this is because people went in expecting a flashy action movie, with Peter O'Tool round-house kicking terrorist. Moreover, this movie may seem like a pretty lighthearted movie at first(which is the genius of it), but you would find serious socio- political subtexts communicated through dialog and direct/ hidden symbolism (which employ the visual aspect of film). If there is another movie I could compare this movie to,that would be "The French Connection". However, in my opinion, Preminger's movie if far better.
