Fatty steals a ride on a train, discovered, and put off in the middle of nowhere. He stumbles along over the hot desert and finally passes out. A very plump Indian woman finds him and takes him to her tepee, woos him and finally, in desperation, Fatty agrees to marry her. While the tribe is preparing for the marriage ceremony, Fatty attempts to escape but is caught.
Bande-annonce
Casting
Roscoe 'Fatty' Arbuckle
Director
Roscoe 'Fatty' Arbuckle
Fatty
Minnie Devereaux
Minnie He-Haw
Minta Durfee
Minta
Josef Swickard
Minta's Father
Harry McCoy
Barfly
Joe Bordeaux
Bartender
Billy Gilbert
Short Cowboy in Saloon
William Hauber
Laughing Cowboy in Saloon
Frank Hayes
Bearded Villager at Saloon
Slim Summerville
Railroad Guard
Vous aimerez aussi
A Love Story from the Streets
Missionary
Intimate Betrayals
About Cherry
Be My Boyfriend
The Chi
my vampire system
The Five-Star Weekend
alvar the unseen
The dawn of Olympus son of apollo
Runaway Single Mom, Safe in His Arms
Son of Odin
Rivals to Lovers
Sweet Temptation
Sistas
All the Queen's Men
Avatar, le dernier maître de l'air
Snowfall
Grimm
Suits, avocats sur mesure
Grown-ish
The Family Business
Kwa Baba
Commentaires
2 commentaires
source: Fatty and Minnie He-Haw
This is not a great piece of film comedy from Roscoe Arbuckle: good work, but not the eye-popping work he would do the following year. Nonetheless, there are a few good gags, particularly when he and Minnie and trying to kiss, but their bellies get in the way. Still, there is almost always something interesting in Arbuckle's work. First, I am struck by his characterization in the movie as cowardly and lecherous in a way that reminds me of Bob Hope's best work in the 1940s... which made me think of THE PALEFACE... Hope's version, not that of Arbuckle's pupil and friend, Buster Keaton. Second, this movie shows Arbuckle's wife, Minta Durfee, at her most adorable. Third, one piece of camera-work that I have never seen before: when Durfee, Arbuckle and Minnie move between the Indian camp and town, they are shown in distant silhouette: smaller than the way John Ford would typically shoot people but larger than, say, William Wyler would shoot people in THE BIG COUNTRY. Somehow, in this movie, this is irresistibly funny. I can't tell you why. If you can tell me, please do.
