A government agent investigates the use of illegal amphetamines among long-haul truck drivers.
Bande-annonce
Casting
Joseph M. Newman
Director
Peter Graves
Tom Kaylor
Mala Powers
Val Owens
Chuck Connors
Mink Reynolds
Merry Anders
Amy Phillips
Roy Engel
Wally Morse
Robert B. Williams
Dunc Clayton
Harry Lauter
Steve Hummel
Pete Kooy
Payson
Robert Christopher
Lennie Owens
Gordon Armitage
Diner Patron
Benjie Bancroft
Diner Patron
Claire Carleton
Mabel
Bud Cokes
Diner Patron
Roy Damron
Club Patron
John Dierkes
'Shug' Grandon
George Ford
Diner Patron
Bill Gallant
Minor Role
Larry Mancine
Attendant
Arthur L. Davis
Writer
John McGreevey
Writer
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Commentaires
8 commentaires
source: Death in Small Doses
Death in Small Doses
Peter Graves is dispatched by the FDA to go undercover as a truck driver to uncover where drivers are getting amphetamines that they are taking while operating their rigs and causing accidents. Chuck Connors is the standout in the cast as a whacked out driver in a very unusual role for him. Mala Powers is attractive as the owner of the boarding house and eventual love interest for Graves. Graves is too obvious in his pursuit of information. Otherwise fairly predictable until a somewhat unexpected finish.
A drugs movie with a difference. This B-Movie was designed to show the dangers of prescription drugs, in this case amphetamines such as Benzedrine or 'bennies' as they are called here. Joseph M Newman was a better director than he was given credit for and he handles the somewhat sensationalized material well enough. The cast, (Peter Graves, Mala Powers, Chuck Connors, Merry Anders) are strictly bargain basement and the script is something of an embarrassment but it's nicely shot on location by Carl Gutherie and there is some decent stunt driving and as the bottom half of a double bill it's not that bad.
Capable genre director Joe Newman directed this magnetically tawdry tale of a federal agent trying to crack a drug ring that preys on long-haul truckers. This is no French Connection, but it's a fascinating glimpse of a bygone era, and if one has a taste for low-budget AA features of the fifties this one is definitely worth a look. Peter Graves makes a fine Viking hero. There's a pseudo-adultness here of the sort one used to find in cheap paperback novels that were basically semi-* but masquerading (or trying to) as exposes of one sort or another. As with Dragnet, one has to have a certain kind of empathy to get into the spirit of this sort of thing. If you do, this one will reward you handsomely.
This movie is considered a "classic" in my family; my Dad was the agent (brilliantly acted by Peter Graves) on whom the title character was based. Hollywood added a romance but other than that they got the story (based on a series of articles about my Dad in the Saturday Evening Post) right. Some message boards about the movie criticize Chuck Connors for over-acting, but he didn't; that's how it was. This movie is a good reminder of what we owe to a lot of America's unsung heroes who have taken on messy tasks over the years to make America a safer place. Thanks to my Dad and other agents the movie now looks like a dated "period piece" portraying world with which we do not have to be familiar.
