La boîte à chat

It would've been better if the character,'catherine' had been more sympathetic. I apologize,but I was rooting for 'ken' to get away with it all. The story is different,though.A boyfriend terrorizing his ex-girlfriend because she aborted his child...it really could've been done better.

The one and only time I saw this movie was with my mother and younger sister at a Drive In theater on Cape Cod when I was ten years old. That was forty years ago, yet the movie made such an impression on us that night, that I've never forgotten it. For years I tried to find it or see it again without success, and then once more made a search last night. At last, here it is, being talked about at least! The sense of creepy fierce tension, coupled with the child like theme song is what I remember most, aside from the closeness and talking that it inspired afterward in my little family as we drove back to our campground. If impressions that last for decades count, this movie is certainly worth tracking down, and I, for one, look forward to seeing it again!

Worthwhile B movie that fails to make the most of a good idea. And both Play Misty for Me(71) and Fatal Attraction(87) reworked its premise and plot. Mark Robson's direction is economical to a fault, and the film needs more detail and development;it feels perfunctory and thin like a made-for-TV film. And the supporting characters are cardboard. The film has some effective scenes, generates interest and suspense, though the build-up is ultimately better than the payoff. Scott Hylands is very good and convincing but, Carol White is perhaps too stoic,and she doesn't garner much sympathy for her character. The rest of the cast goes through their paces without making an impression, except for an annoying housekeeper, and "Prissy",the cat. Ultimately, the subject matter and Scott Hylands' performance are what make it worthwhile. Hard to find film deserves a DVD release, hopefully with the trailer.

A surprisingly potent and strangely disregarded psycho-stalker picture marked by taut direction and capable performances, it also benefits from its appealing San Francisco location filming. It's a distressingly plausible scenario...girl aborts the child of her former lover, latterly marries another man, and becomes pregnant again. The first lover, now quite clearly a dangerously unbalanced nutcase, shows up to settle the score. A briskly paced little nail-biter which occasionally goes a tad bit over-the-top, DADDY'S GONE A-HUNTING is ripe for a much-deserved reinvestigation. 6.5/10