Wedding Present

Richard Wallace (A Night to Remember) directed this screwball comedy vehicle for a young Cary Grant, who plays Charlie, a man whose promotion to city editor drives his reporter girlfriend Monica "Rusty" Fleming (Joan Bennett, who was also in Big Brown Eyes with Grant) to New York City. That means that Charlie must grab his friend "Smiles" Benson (William Demarest, Uncle Charlie from My Three Sons) and try to win back his lady love. Gene Lockhart, who plays the Archduke Gustav Ernest, would appear with Grant again in one of his biggest roles, His Girl Friday. It's funny knowing the Grant that would end up in films like North by Northwest and see him in his fast-talking days, rushing through slapstick antics. That said, this is a fun escape from the majority of the bad news that is on the TV these days, a reminder than 1930's films are still worthy of rediscovery.

Screwball comedy reminiscent of His Girl Friday - which also starred Cary Grant. Zany reporters (Grant, Joan Bennett), an editor who can't live or without them, and some strictly-for-laughs gangsters. An open manhole gag worthy of any silent comedy, too. But the ending is a bit implausible. You can't really get away with that much malicious mischief, can you?

A rather undistinguished film, the sometimes incomprehensible romantic comedy WEDDING PRESENT contains a numerous amount of potentially interesting plot devices and story elements, but ultimately fails to capitalize on it's own potential and ends up making little to no real impression. Various characters and plot threads are introduced with great fanfare, only to be dropped with no explanation as the film wanders through it runtime with no clear direction. Cary Grant and Joan Bennett are fine in the leads, and even have a respectable degree of chemistry, but they are let down by the film's lack of narrative and structure. Not a bad film by any means, but certainly an unfortunate waste of enormous talent and considerable potential.

one of films who must see. not for story itself but for actors. and for the moral lesson about responsibility. in fact, a love story like many from the same period comedies. a shining Cary Grant, a seductive Joan Bennett and a not usual present for wedding. a mix of stories with never end - the story of Archiducke is the most relevant - and a lot of humor in different styles , from bitter to crazy. short, a nice story about free spirits and about media, about friendship with a gangster and the spiced dialogues with the woman who represents the love of your life.