A widowed Muslim woman endures the confines of her mother-in-law's home where she must remain until the end of her mandatory mourning period. Burdened with financial woes and a secret pregnancy, an unlikely friendship becomes her lifeline.
ट्रेलर
कलाकार
Korede Azeez
Director
Laraba Abdullahi
Rayan's Neighbour
Abdullah Adamu
Landlord's Boy
Mnena Akpera
Transport Clerk 1
Ummi Baba-Ahmed
Hajiya
Ibrahim Daddy
Umar
Michelle Dede
Nene
Sydney Diala
Landlord
Gloria Johnson
Maman Hadiza
Jaffar Mahmoud Mahmoud
Imam's Boy
Mordecai Markeins
Transport Clerk 2
Magaji Mijiwana
Alhaji Danjuma
Ibrahim Nasiru
Imam
Akanji Ogendeko
NPC Staff
Fashugbah Khadijah Oluwakemi
Marriage Registry Staff
Uzoamaka Aniunoh
Zainab
Caleb Richards
Rayyan
John Tsado
Transport Company Staff
Mohammed Yakubu
Landlord's Boy
Korede Azeez
Writer
आपको ये भी पसंद आ सकते हैं
Immortality
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टिप्पणियाँ
5 टिप्पणियाँ
why are they speaking hausa thou
The film was a breath of fresh air and a powerful tale that needed to be told! Korede Azeez really stepped up her game, and this movie stands above her previous works👏 DELICIOUS -There's nothing better than an original script, especially when Nollywood tends to recycle the same stories. Seeing a widow burdened by financial woes and struggling to connect in a different environment was gripping from start to finish -Solid performance: Uzoamaka Aniunoh (playing Zainab) understood her assignment and delivered! Her body language and line delivery were in unison; she poured out her intense hardship. Caleb Richards (playing Rayyan) was adequately elegant and diplomatic😍 -The film made great use of "less is more" with few dialogues in order to give us the chance to appreciate the unspoken emotions -Greatly appreciate that the screenplay dived into the psychology of the characters. We were able to understand how Zainab forged her identity and other characters' personalities BLAND -Sound engineering was regrettably unrefined, lots of background noise😣 -The lack of a parallel story made the film a bit monotonous with Zainab appearing in every scene Overall, kudos to Korede Azeez for improving her craft!
This powerful tale of faith, love, family and betrayal is better than I expected and I had high expectations based on the trailer. The potrayal of religious converts/reverts is one that we do not see often on screen. Interestingly the fallout of conversion from Christianity to islam is not the centerpiece of this story. It's a story of a woman who has lost her husband and now has to pick up the pieces to avoid financial ruin. The movie could have been called iddah, as the whole movie takes place during this period in the life of Ene/Zainab the main protagonist, where she mourns her dead husband. There is a love story there but it is not the main story, yet the love story is very well done as we find two characters whose faith journeys are similar but whose paths were slightly different. The family dynamics and seamless use of Hausa while celebrating the ethnic and religious diversity of Nigeria was very tender and intentional. This might be where Ummi Baba Ahmed will get the acting accolades she deserves. Her understated relatable portrayal of Hajiya, a mother in mourning and an abrasive mother in law is a masterclass in immersive acting. A good watch, the tender moment where zainab speaks hausa to her mother in law and breaks her, will bring a few tears. Loved it.
