Werewolf

I let my daughter watch it since there was nothing telling me that it wasn't for kids, my daughter is now scared that something will happen to her and she won't sleep unless I'm in the room with her.

I get the realist nihilism genre, but who the h#ll would want to sit through an hour and a half of this. You could have just made it 30 minutes. Anyone with an iphone and 4 friends could make this movie. I get the realist nihilism genre, but who the h#ll would want to sit through an hour and a half of this. You could have just made it 30 minutes. Anyone with an iphone and 4 friends could make this movie. I get the realist nihilism genre, but who the h#ll would want to sit through an hour and a half of this. You could have just made it 30 minutes. Anyone with an iphone and 4 friends could make this movie. There, how does it feel? I just wasted your time.

A movie can scarcely be more low-budget than "funded through government grants." The bare-bones production also lends credence to the realism of the story - fiction, but only just. 'Werewolf' is a portrait of poverty and despondent desperation, with the further stigma of drug addiction saddling the social and financial outlook. It's questionable whether it can be called a pleasant watch, but it is excellent in its simplicity, and uniquely captivating. The earnest, plainspoken writing is deeply engrossing - characters, dialogue, scenes, and the overall narrative being as inescapably real as any film could be. Filmmaker Ashley McKenzie's swell direction mirrors her screenplay with no small number of static, unmoving shots in which characters step out of frame and back in, or are seen only on the periphery - a seeming reflection of how protagonists Blaise and Nessa can't break away from their hardship, even as they frequently discuss leaving. Sullen and subdued as the roles are, stars Andrew Gillis and Bhreagh MacNeil give great performances as Blaise and Nessa. The quiet nuance in their portrayals serves to further emphasize the verisimilitude of the picture, making the characters feel genuine and believable. As the narrative progresses, and the two advance along their paths, Gillis and MacNeil subtly inject a measure of personality into the parts, making the stars and their depictions ever more endearing. For as distinctly hushed and low-key as the film is, it's roundly engaging, ably keeping our attention with wonder of just how things will turn out for the hapless pair. The sheer precariousness of the scenario leaves much in question - and, details aside, reminds viewers of the terrible ease with which any one of us could just as readily find ourselves in dire straits much like Blaise and Nessa. For being so little on the surface, 'Werewolf' nonetheless achieves a great deal in its decisively unembellished approach. It offers a compelling story, anchored by solid performances, writing, and film-making. Between the subject matter and the deeply muted tone, this isn't going to be for everyone, but if one is receptive to features of this nature, then 'Werewolf' is a superb, softly riveting cinematic slice of life that's well worth seeking out.

I had an ex in a similar situation - the film reminds me of her and her friends. Per my subject - true to life - this could almost be filmed as a documentary. I think this film has a bit too much inertia.

I find the criticism that this movie is sad and depressing odd. Were people expecting a happy movie about two drug addicts living in poverty? Now I didn't feel as strongly for these characters as I did for a character like Richard Gere in Time Out of Mind. But I still felt for these guys. They were both portrayed decently by Gills and McNeil. Cinematography can be interesting at times and at other time it can be jarring. The camera focus being pulled away from the subject on to some background.