A young man learns how to come to terms with his disability after becoming paralyzed in a hiking accident.
ٹریلر
کاسٹ
Neal Jimenez
Director
Michael Steinberg
Director
Eric Stoltz
Joel Garcia
Helen Hunt
Anna
Wesley Snipes
Raymond Hill
William Allen Young
Les
James Roach
Guy in the Electric Wheelchair
Elizabeth Peña
Rosa
Henry Harris
Mr. Gibson
Tony Genaro
Victor
Eva Rodriguez
Victor's Wife
Erick Vigil
Victor's Son
Edgar Rodriguez
Victor's Son
Angélica Castell
Victor's Daughter
William Forsythe
Bloss
Grace Zabriskie
Pat
Kimberly Scott
Alice
Casey Stengel
Vernon
Susan Gibney
Cheryl Lynn
Elizabeth Dennehy
Candy
Neal Jimenez
Writer
آپ کو یہ بھی پسند آ سکتا ہے
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تبصرے
10 تبصرے
source: The Waterdance
The Waterdance
Author Joel Garcia (Eric Stoltz) breaks his neck while hiking, and finds himself in a rehabilitation center with Raymond, an exaggerating ladies' man, and Bloss, a racist biker. Considerable tension builds as each character tries to deal with his new found handicap and the problems that go with it, especially Joel, whose lover Anna is having as difficult a time as he is. Although I certainly could have used far less of Helen Hunt, especially Helene Hunt naked, overall this is a fairly amusing film. You might think it would be sad or emotional given the topic, but for the most part it really is not. There are some tense moments between Joel and Anna, considering their future together, but the scenes like the wheelchair crew out joyriding more than make up for the serious moments.
Author Joel Garcia (Eric Stoltz) is paralyzed after a hiking accident. Anna (Helen Hunt) struggles to choose between her husband and her affair with Joel. Les and Rosa (Elizabeth Peña) are his physical therapists. Other patients include brash womanizer Raymond Hill (Wesley Snipes) trying to reconnect with his family, Victor (Tony Genaro) with a large Latino family, and racist biker Bloss (William Forsythe) looking to sue with his mother (Grace Zabriskie)'s help. Each has trouble dealing with their lives. Stoltz is restricted physically but performs masterfully. Raymond and Bloss are pretty broad characters. They needed to be toned down slightly. There are some compelling elements. I like Stoltz's take but not everything else is working. The motel room scene is devastating but Helen Hunt probably needs more screen time to show her life with her husband. The material has some greatness but I don't think it's all there.
This work is a bold look into the mindset of men who find themselves in wheelchairs. This film never tries to tone it down, cotton candy-ize, or soft soap the angst, confusion, and pain of what these guys live with. That is its strength, I think. But more so, the performances are fantastic, with well conceived and delivered dialog, which draws you in and makes you feel a part of the experience. The characters never attempt to block out the audience from knowing what's on their mind-what's in their hearts. I found it plodding, but enjoyable. It rates a 6.6/10 from... the Fiend :.
Touching and sad movie. Portrays the trials and tribulations of a writer trying to come to terms with paralysis caused by a cycling accident. The film centers on his relationship with his married lover, whom he is often very hostile towards, and his interactions with other accident victims, particularly a black down-and-out and a white-supremacist biker. The film is often humorous, often sad, and always believable. Get out the box of kleenex and watch this on a cosy Sunday afternoon with your partner.
I thought this was an excellent and very honest portrayal of paralysis and racism. This movie never panders to the audience and never gets predictable. The acting was top-notch and the movie reminded me of "One Flew Over the Cuckoo's Nest".
This film lingered and lingered at a small movie theater in town, and the word-of-mouth buzz got me to see it. A comedy about disabled people - the subject matter keeps lots of people away from a funny and heart-warming film.
