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This kidnap drama from Hubert Cornfield wasn't a hit despite having Marlon Brando leading the cast but it has since become something of a cult movie. He's one of the kidnappers; the others are Richard Boone, Rita Moreno and Jess Hahn and Pamela Franklin is the victim and the setting is France or rather a house by the beach where a lot of the action takes place. This is the one in which Brando sports a blonde hair-do and plays a beatnik very badly. Boone is the sadist in the group and is very good while Rita Moreno almost walks off with the film. Franklin acts as if she's been heavily sedated throughout and Cornfield directs as if he's never actually seen a thriller. The source material was a novel by Lionel White and the whole thing is very bizarre, too bizarre in fact to be just written off as a failure. There's also a kind of jazzy and inappropriate score by Stanley Myers and Annie Ross does get to sing a bit of a song on the soundtrack.

A young British heiress (Patricia Franklin) is kidnapped at an airport in Paris in this rather tough existentialist crime drama featuring Marlon Brando as the nominal leader of the gang of morally flexible criminals that include his drug addicted girlfriend played by Rita Moreno, her pickpocket brother (Jess Hahn) and Richard Boone at his most menacing as a pimp named Leer. They hold her in an isolated house on a desolate looking beach but discover a French police officer who likes to fish coincidentally happens to live nearby. The entire affair is heavy going with a group who thinks they can pull off this caper and avoid the underlying violence. Interesting tension develops between bad Boone and not-so-bad Brando, with Jess Hahn sort of stealing the show as a kind of non- violent pickpocket desperate just to get the money. In addition it's a pretty far way from where Rita Moreno was in West Side Story.

another brando film from the 60s which got a lot of negative reviews when it came out. its not that bad at all in fact pretty interesting. brando has moments here which just underline the fact that he is the greatest ever. the movie could have been better, but the performances are very good. boone, moreno and of course brando. Brando is looking good with blonde hair and is fit and fine in all black...and his greeting to richard boone in the last half hour of the film is to die for...when he says clark gable..hilarious. the movie captures the deceit and confusion of its main players and the geography of the entire movie adds to the drama. There is an underlying feeling of violence about to be unleashed at any time in the movie. A movie which again says to all the critics of that time, that they did not have the knack of appreciating something which made them think and see the dark nature of man.

The Night of the Following Day(1969) is the sordid tale of four professional criminals who kidnap an 18 year old rich girl(Pamela Franklin) and hold her for ransom at a beach home off the coast of France.Marlon Brando,(looking fit and sporting a blonde wig), Rita Moreno, Jess Hahn and Richard Boone are the kidnapers. This is not a pleasant movie and the original un-cut version has several unsettling scenes mostly involving the hulking, pyschopathic Boone, complete with full length coat and homburg. Brando is interesting as Bud, showing us at times why he is one of americas greatest actors. Boone is just plain frightening as Leer, a menacing whacko out for the double cross. Dont waste your time looking at any edited versions of this film, they will make no sense at all, but if can find the un-cut version, this movie will make your skin crawl

This picture is worth time to see, but only if you've willing to invest the time to put in the effort to pay close attention. It is not a good choice as a movie to keep on in the background. The kidnapping goes wrong almost immediately, not from law enforcement personnel, but from within. We see the changing relationships between the kidnappers as the hours with their victim go on. Added note: Try to rent the video. When NBC showed the movie on commercial television, the network added additional scenes featuring the brother of the victim working a police inspector. These scenes are not outtakes from the original movie that NBC restored, but new scenes that NBC filmed and added to make clearer the kidnappers' fate. They are unnecessary and rather insulting to the audience that the network felt they needed to "improve" the movie.

Night of the Following Day is as freaky as it's title is meaningless. Blonde-haired Marlon Brando and his blond-haired girlfriend (Rita Moreno) along with a couple of untrustworthy accomplices decide to kidnap a rich British girl and ask for ransom. What starts out a fairly straightforward crime caper soon develops into an over-the-top psychodrama as the criminals begin getting paranoid and start double-crossing each other. Richard Boone is exceptional as Brando's chief nemesis...a ruthless turncoat who'll stop at nothing to get his piece of the ransom. Of course, he's going up against Brando, so...you know the rest. Boone's craggy, pock-marked face and perpetual scowl have seldom been put to such good use. Brando and Moreno are dynamite and clearly have A LOT of chemistry. Pamela Franklin plays the unlucky victim. This is one of several odd-ball movies Brando made during the '60s (see Morituri, The Apaloosa, etc) and one of the least known. It's definitely worth seeing!