A young artist goes to interview an older painter who lives in the south of France with two young women. He gets caught up in the painter's Bohemian lifestyle and begins to examine his own attitudes towards life and art.
الإعلان الترويجي
طاقم العمل
Robert Knights
Director
Laurence Olivier
Henry Breasley
Roger Rees
David Williams
Greta Scacchi
Diana, 'The Mouse'
Toyah Willcox
Anne, 'The Freak'
Georgina Melville
Beth Williams
Yves Brainville
Jean-Pierre
Denise Bailly
Mathilde
John Fowles
Writer
John Mortimer
Writer
قد يعجبك أيضًا
Sex Doll
لا بد من موت سبعة ملوك
الحصار
Babes with Blades
Dhandha
Science's Greatest Mysteries
بيكي بلايندرز
خارج الدائرة
A Woman of Substance
Gone
Youngins
The Oval
لوسيفر
أشياء غريبة
فايكنجز
بلدة الضياع
Into the Badlands
كتاب القوة الثاني: الشبح
Adulting
البيت الورقي
Shaka iLembe
صيف نشر ذراعيه
الجنس والحياة
لم يسبق لي أبدا
التعليقات
5 تعليق
source: The Ebony Tower
The Ebony Tower
This is an early TV-version of one of John Fowles' greatest stories, the first and longest in his collection of the same name from 1974. All highly recommended reading. And perhaps it belongs to a genre better read in retreat, than seen on any screen. Though the effort to make a film of it deserves attention, if not else just because of the archetypal abyss of the story. The main drawback is that Olivier is terribly miscast. The great ham is no ailing but still dangerously masculine and sharp old Man, as the painter Henry Breasley is supposed to be. Someone like Richard Harris might have been a more congenial choice for the role. And even Roger Rees seems somewhat too anemic here. While Greta Scacchi is pretty perfect. I'd buy it on DVD anytime, if it was available by itself and not just as a bonus in an Olivier collection..
Nice setting of an old French manor in summer inhabited by an old dragon of a painter (Olivier) and two maidens, former art students, that he has ensnared (Scacchi and Wilcox). Into his realm to interview him comes not a knight errant but a self-satisfied example of the modern world (Rees). One of the girls, shy but gifted, wonders whether to escape with him and rejoin the world. Before the end she realises he is not worth it. The book said a lot more but we have to be satisfied with the brief foray of this film, which is emotionally and intellectually thinner. To compensate, we get glimpses of some fine paintings and, in a re-enactment of Manet's "Déjeuner sur l'herbe", some fine bare girls. Overall it comes across as watchable but slight, the strong point being the beauty and more than that the poignancy of Greta Scacchi as a bright talented young woman unsure of her direction.
