Sunday

DrameRomance
Année1997
Durée1h 31m

This film concerns two mysterious characters who meet on a Sunday in Queens. Madeleine the most unsettling creature of that name since "Vertigo" is a middle-aged, moderately successful actress. Oliver/Matthew is either a homeless man or a famous film director or both. Madeleine hails him on the street as the latter, launching a bizarre chain of events that includes a conversation in a diner, a very unromantic sexual encounter, the arrival of Madeleine's odd husband and unsuspecting daughter, and a child's birthday party. The film also compassionately tracks the daily rounds of Oliver/Matthew's fellow denizens of the homeless shelter, some of whom will be recognizable to New York audiences.

Bande-annonce

Casting

Jonathan Nossiter

Director

David Suchet

Oliver

David Suchet

Matthew Delacorta

Lisa Harrow

Madeleine Vesey

Jared Harris

Ray

Larry Pine

Ben Vesey

Willis Burks II

Selwyn

Kevin Thigpen

David

BS

Bahman Soltani

Abram

AB

Arnold Barkus

Andy

JB

Jimmy Broadway

Self

CT

Chen Tsun Kit

Self

HH

Henry Hayward

Sam

YJ

Yeon Joo Kim

Suky Vesey

Joseph Sirola

Joe Subalowsky

Fran Capo

Judy, Madeleine's Friend

SP

Spencer Patterson

Johnny O

Joe Grifasi

Scottie Elster

GR

Gus Rogerson

Featured Player

RP

Robert Packer

Featured Player

JL

James Lasdun

Writer

Jonathan Nossiter

Writer

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Commentaires

10 commentaires

ademideSep 29, 2024

zf367

ThickleeyonceMay 29, 2023
Maysaa AliMay 29, 2023

source: Sunday

mian_imranNov 16, 2022

Sunday

faijalNov 16, 2022

A delight in a world where "if you don't know what's going on in the first thirty seconds, you're lost." The first half-hour or so lets a viewer take in another world, one with which she may not be familiar, and allows a gradual "easing into" the plot, which sheds far more light on human behavior than almost any ten glossy, big-budget H-wood films out there. Most won't want to do the work required to fully appreciate this film. Take the time, talk it over, then get Signs and Wonders.

shiva ravanNov 16, 2022

Sunday (1997) is a beautiful film about a lost day in the lives of two lost people. It is also about their attempts to locate themselves and connect to each other. It is complicated, sad, haunted, angry, hopeful, sweet, awkward, mysterious, confusing, gritty, and ultimately quite everyday and ordinary. Something tremendous is happening in this film, and this something is poetry.

YaSsino ZaaNov 16, 2022

I went to see this movie because I knew Amy Hobby the producer. I was pleasantly surprised, except for some bad sound at the beginning, it was a movie that addressed the idea of loneliness and desperation in average people. Both the actors did a good job of bringing sensitive interpretation to their roles, but I was a little confused by the ending and I never did figure out the husband's place in the trio.

Abu wazeemNov 16, 2022

I went to see this movie because I know the producer Amy Hobby. I was very pleasantly surprised at what a nice film it is- a look at two lonely people who meet for a day and are a little better for knowing one another. The sound was muddled on the print I saw- but the overall effect was a nice film for an afternoon- honest filmmaking with people who look real, not the pretty boys of Hollywood... if you see it at the video store rent it for a pleasant experience.

🔹آلــفــــسْ ١🔹Nov 16, 2022

This film was shown on the IFC channel. I had not heard of it before. After seeing it, I believe it deserved a wider distribution and more formal review by the critics. I found the film to be hypnotic. The two leading actors, David Suchet and Lisa Harrow, played their roles in natural and unabashed manner that in a way kind of made me feel less like a voyeur, but more as an observer. I found myself drawn to protagonists in a very sympathetic way and into their short lived relationship. Watching this film is time well spent.

Not gon' sayNov 16, 2022

One of the most unique films I've seen in years. An indie film with a meticulously well thought-out story, full of clever twists and surprises; not a comedy but an offbeat drama with some amusing moments. Excellently conceived and directed, with Lisa Harrow as the standout (great body, too). The only minus is the amateurish overacting provided by Richard Harris's little boy, Jarred. I have no idea how this talentless, nepotist, unsympathetic nerd manages to get his face into so many interesting movies. Unfortunately, indie films have already had their heyday in the 90s, and are by now (2006) as good as dead. Today, nearly every indie film has to have a PC message, and is made by a talentless moron.