Oregon Passage

I sincerely doubt any cavalry fort in the nineteenth century would have girlfriends or wives of the soldiers living there on the base. Most likely they would live in the nearest town or city, even in a different state if the territory wasn't settled. Easy chances were handed out to kill the renegade warrior Black Eagle, but refused to stretch out the running time. Lola Albright is almost unrecognizable in a heavy dress and makeup of the time period the film is set.

Googling will lead to at least two reasonable offerings of this film, though the one that I settled on had foreign subtitles and a strident musical score. Even at the start of the film, the fort didn't appear to have a very large garrison, which was significantly depleted after a couple of unwise deployments of troops. But it did have three very attractive women, including a Native American played unconvincingly by white actress Toni Gerry. I recognised only a couple of the cast. Towards the end there was a surprise death, an unusual strategy by the soldiers and a brutal man-to-man fight.

Nice outdoor location cinematography is the best feature of Oregon Passage, a western shot on location, well, Oregon. John Ericson stars in this film and he's got himself an impossible mission. He wants to bring in Shoshoni chief Black Eagle alive. Turns out to be an impossible task after martinet eastern Major Edward Platt takes command. The fact that his new bride Lola Albright has some history with Ericson doesn't help matters. Albright is the real star here, one frontier vixen. Even the Shoshonis here say that fair haired women are to be avoided. This one sure should. Battle scenes are nicely staged and the plot is most adult.

John Erickson is Lt Niles Ord, a cavalry officer stationed at a fort nervously awaiting an attack from a marauding Indian chief, who also has to contend with tyrannical post commander Eric Platt in this ordinary b-movie from Allied Artists. It seems that the commander's new wife is a bit of a cougar who took advantage of Ord when he was a callow youth and now sees him as a way out of the godforsaken posting which she considers to be her husband's way of punishing her for being desirable to other men. Erickson makes a bland leading man and the rest of the cast - apart from a luminous Lola Allbright as the predatory femme fatale - is equally forgettable.

The plot is tired and the characters are never fully developed, but there is enough action to keep you interested. The original score by Dunlap is uplifting, and I have to think that the novel this one is based on(By Sheriffs)is a better read than movie. The brutal hand to hand combat between hero and Indian Chief at the picture's climax is a surprise. The rest is pretty much routine.