A single mom struggling to make ends meet as a Hollywood teamster evades capture by a ruthless FBI Agent while running black market medical supplies in her legendary souped-up pickup truck.
ٹریلر
کاسٹ
Shane Stanley
Director
Danielle C. Ryan
Holly
Diora Baird
Jaylynne
Ivan Sergei
Connolly
Joseph D. Reitman
Tommy
Joe Lando
Chuck
Paul Haapaniemi
Renzo
Kevin Joy
Zack
Abraham Benrubi
Mr. Maxwell
Thomas Nelson
Shelby
Reggie Austin
Commercial Director
Val Barri
Carol
Galadriel Stineman
Commercial Actress
Carly Diamond Stone
Simone
Levi Vincent
Airport Manager
Shelly Fuentes
Luella
Jillian Tremaine
Sparky
Brent Bailey
Trucker
Alon Simone
Guy in Motel
CJ Walley
Writer
آپ کو یہ بھی پسند آ سکتا ہے
Double Threat
Ninja: Shadow of a Tear
Snitch
Mafia Wars
The Night Agent
9-1-1
Special Ops: Lioness
9-1-1: Lone Star
The Terminal List
Butterfly
The Brave
Condor
Special Ops: Lioness
Treadstone
Bad Guys
The Freelancer
El Candidato
Bang Baang
Los Farad
Key Witness
Roadkillers
Lex Africana
Mai Hero Boll Raha Hu
Victoria
تبصرے
10 تبصرے
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It's unreal. I don't understand, barring a deliberate bot attack, the ratings given to this movie don't make any sense. Unless the unexpected success of the previous film by this same writer/director team provoked revengeful jealousy. Going from honorable ratings, given by the first spectators in the movie theaters, to only ratings of 1 in one day, would be a joke if it weren't so sad. This film is good, maybe not what this highly touted second poster announces (why?), but there is an atmosphere, multidimensional characters, a duo of amazing actresses, action necessary for the script but not omnipresent and above all beautiful intimate scenes between characters. Shout out to Daniele C Ryan and Joe Lando for their father/daughter scenes. The questionable lynching of this film is not deserved. Don't expect a movie of big cylinders, explosions and brainless little peeps, it's much more than that. Give it a chance.
Holly McCord (Danielle C. Ryan ) is a single mom who likes to race. She named her son Shelby (Thomas Nelson ). Shelby needs to be on anti-biotics all the time, the ones that are expensive. She gets them from Mexico through a black market dealer named Renzo Romeo (Paul Haapaniemi ) a handsome man who likes Holly. We then meet Officer Jackson (Diora Baird-2005 Playboy) who is a PTSD vet who enjoys drinking and sex. Her job is to stop the drug transport between "here" and Vegas. She gets the airplanes grounded, so Holly does a run in her souped up truck. The big boss Mr. Maxwell (Abraham Benrubi) takes a shine to her, which isn't good. I am not sure why the run had to be done in 3 hours at night and not slower during the day using old people driving like they traffic drugs out of Florida up 95. But they did. I overrated this film because I am a big fan of Danielle C. Ryan who I loved in "Double Threat" and all those idiotic films she did in Utah when she didn't get Katniss. Guide: No swearing, sex, or nudity. Almost as bad as a Kevin Sorbo film.
Now, the movie "Night Train" is listed as an action thriller. I have to say that I found it to be neither of those two things. The movie was, for a lack of better words, just downright boring. The storyline in "Night Train", as written by CJ Walley, was a complete and utter swing and a miss in terms of entertaining me. The narrative in the movie was so insanely slow paced that you could leave the movie running whilst you had to do house chores, then come back and still be up to speed. And the fact that the character gallery had about as much appeal as a carton of spoiled milk, just didn't exactly help to sell the movie. The acting performances in "Night Train" were stale. Nothing to get the movie up in speed here either. Of the entire cast, then I was only familiar with Abraham Benrubi and Reggie Austin. If you enjoy a good action thriller, just like I do, then do yourself a favor and don't waste 95 minutes on watching "Night Train". Nay, you just might want to skip out on punching the ticket for this particular train and just let it roll past the train station in the snail pace tempo that it was going forward in. My rating of "Night Train", from director Shane Stanley, lands on a generous two out of ten stars.
I had a hard time following at first. The two protagonists are both women with long blonde hair and the same build. It took me half an hour to figure out there were two different women in the movie. These are not actors I was familiar with. The storyline was okay, but there wasn't as much action as there could have been. It also seems like they could have developed the characters a little bit more. It was hard to root for someone doing something illegal, but I also didn't find the agent terribly likable or easy to sympathize with. The plot was okay, but the execution was lacking. I think the movie was missing some depth.
Sometimes you start watching a movie and it only takes you one minute to know this is not going to be good. Night Train is one of those movies. About everything is bad about it. The plot, if you can call it that, looks like its been written by a fourteen year old fantasizing about fast cars and blond chicks (the dumb kind in this case). The acting is mediocre at best, some are just awful to watch. The worst was Diora Baird, I don't know if it was her dumb unlikable character or just her, probably both. I get it that you have bad writers. I'm just wondering how a bad writer has the luck to find someone that reads this script and thinks he has something golden here. The script is awful, cringeworthy to watch, makes a B-movie look like a Z-movie.
It's unreal. I don't understand, barring a deliberate bot attack, the ratings given to this movie don't make any sense. Unless the unexpected success of the previous film by this same writer/director team provoked revengeful jealousy. Going from honorable ratings, given by the first spectators in the room, to only ratings of 1 in one day, would be a joke if it weren't so sad. This film is good, maybe not what this highly touted second poster announces (why?), but there is an atmosphere, multidimensional characters, a duo of amazing actresses, action necessary for the script but not omnipresent and above all beautiful intimate scenes between characters. Shout out to Daniele C Ryan and Joe Lando for their father/daughter scenes. The questionable lynching of this film is not deserved. Don't expect a movie of big cylinders, explosions and brainless little peeps, it's much more than that. Give it a chance.
