L'homme qui n'a pas d'étoile

A stunning, one-of-a-kind allegorical Western, with Kirk Douglas sensational as the tortured ranch hand who sees the fencing off of the West as the death knell of his freedom. He falls in with naive, impressionable William Campbell – a younger brother substitute – and the pair get work on the Triangle ranch. When wealthy scruple-vacuum Jeanne Crain turns up to make a quick buck off the land, Douglas splits, setting in chain a series of events that lead to murder and the symbolic destruction of Campbell's innocence. Then, with barbed-wire spreading like a rash across the green lands, Douglas wakes from a two-week drunk at Claire Trevor's bar to strap on his six-shooter... Nostalgic, thoughtful, intelligent and funny: a prototype 'Monte Walsh', and a remarkable film. It's shot like a dream too, by the ever interesting Vidor. Incidentally, the star that Douglas is without is not a Sheriff's star, but a star in the heavens he can follow. (3.5 out of 4)

Jeanne Crain is one of those women who comes off even better in jeans than she does when she's wearing a dress.Coming after "Ruby Gentry" ,which gave Jennifer Jones one of her most intense parts and depicted a mad passion à la "duel in the sun" ,"the man without a star" is a male story though .Kirk Douglas carries the movie upon his strong shoulders and he succeeds in giving a subtle performance ,in a portrayal that shows every side of his fragility and despair ,under the guise of good humor and unlimited self- confidence:the scene in which he shows his chest packs a real wallop;the things we learn about his family tends to indicate he is not the man we thought he was .His pairing with Texas displays echoes of Howard Hawks' "the big sky" (1952):the users who have seen that movie will notice the similarities between the final scenes.The "father"/"son" relationship is common in westerns (see also Ray's "run for cover").

Solid western directed in magisterial way, in the best genre tradition, by prestigious King Vidor. You can said the topic of the experienced cowboy teaching to a newcomer results very common at movies western. But Man Without Star is some more. This excellent movie picture tell us about the rivalry between two land´s possession different conceptions and about men´s maladjustment to new society rules. Everything is good at Man Without Star: the story (Borden Chase), the casting (Douglas, Trevor, Boone...), the song (Frankie Laine), and, of course, the production. Many director told us stories in western, but a few ones so efficaciously and with so easy manner like King Vidor at this picture. Because things results easier when you are expert. The same story was years later (also starring by Douglas) the Lonely Are The Brave starting point.

This is probably my favorite Kirk Douglas western. Although it has plenty of action this is not just another action western. Rather it deals with the implacable transition of the west from open range available to all to individually-controlled patches of range that are fenced off with barbed wire. Dempsey Rae (Douglas' character) loves open range and keeps drifting north to avoid the barbed wire which destroys it. Finally, however, he realizes that the small ranchers must fence off the range to protect themselves from the massive herds of a greedy rancher and her ruthless foreman and helps string and protect the wire that he hates so thoroughly. I love this under-rated western.

The man without a star is Douglas, and the Star is the picture here. Douglas apes, cavorts, and even sings his way thru the part of the seasoned cowboy attempting to teach a tenderfoot the ways of the range. Campbell is good as the young green-horn that learns his lessons perhaps too well. Although the fun seems a bit forced at times, this one is hard not to like.

Terrific stuff! Kirk Douglas is a whiskey-sluggin' man's man who drifts into a Wyoming cattle town after taking young, hot-tempered William Campbell under his wing; they get jobs on cattle baroness Jeanne Crain's ranch, but she's fixin' to muscle in on her rancher-neighbors's land (for the grass) until her neighbor puts up a barbed-wire fence--something Douglas has a violent aversion to. Obviously a quality package, what with King Vidor directing and Douglas at the peak of his rough 'n tumble charms; his paternal relationship with Campbell suits him, as does tough-lady Crain as a possible love-interest. Screenwriters Borden Chase and D.D. Beauchamp get this outdoor yarn off to a great start, and it just keeps going from there. Strong cast includes Richard Boone as the villain, an uncredited Jack Elam as a killer, and Claire Trevor, wonderful as a bar hostess. Douglas swaggers, shoots, bites, plays the banjo and sings! It's one of his very best films. *** from ****