Keoma

By (1976) when "Keoma" appeared on the scene, the "spaghetti western" had clearly become an exhausted genre. "Keoma" adds absolutely nothing new or unique. It is simply a failed attempt at style covering up zero substance, and little more than a patchwork of worn out clichés. The slow motion killings are derivative and redundant. There is minimal character development. The musical score is a wailing mess. Already in it's death throws, "Keoma" definitely nails the "spaghtetti western" coffin shut. If you want to see a very good non-Sergio Leone western, "The Big Gundown" would be an excellent choice. Just be sure to avoid "Keoma", because it offers nothing new, is not entertaining, and clearly is the end of the "spaghetti western" line. - MERK

Franco Nero essentially reprises his role from "Django", playing yet again a shaggy loner who is the fastest gun in the West and almost singlehandedly fights and destroys an entire gang of crooks. However, what was fairly fresh in 1966, is no longer fresh in 1976. The movie is too self-conscious about its own style, too derivative. You can only milk the "strong man of few words" cow so many times. It does have some interesting, unusual flashbacks, though, and beautiful widescreen cinematography. (**)

Without a doubt, this Italian-made western is right up there with ONCE UPON A TIME IN THE WEST, El TOPO, and THE GOOD THE BAD AND THE UGLY. Enzo G. Castellari's best film. Great cast and excellent slow motion shootout scenes, not to mention some truly amazing camera angles. One of the most engaging storylines and examples of character development I've seen. The music is great, as long as you don't mind the annoying sung narrative. Starts great and ends great, just stick around through the 20-minute dull spot in the middle of the film. It's quite a rewarding experience overall. Have fun trying to track down a copy of this gem, I sure did (NOT)!