Some Palestinians who were held in an Israeli detention center are assembled to re-enact their experience in an effort to heal.
الإعلان الترويجي
طاقم العمل
Raed Andoni
Director
Ramzi Maqdisi
Mohammed Khaleb
Ramzi Maqdisi
Self
Mohammed Khattab
Abu Atta
Mohammed Khattab
Self
Wafa Mari
The interior designer
Wafa Mari
Self
Atef Al-Akhras
The set dresser
Atef Al-Akhras
Self
Bashar Hassuneh
The props master
Bashar Hassuneh
Self
Wadee Hanani
The assistant director
Wadee Hanani
Self
Raed Andoni
The authoritarian director
Raed Andoni
Self
Adnan Al-Hatab
The 'father' and set builder
Adnan Al-Hatab
Self
Abdallah Moubarak
The blacksmith
Abdallah Moubarak
Investigator #1
Abdallah Moubarak
Self
Anbar Ghannan
The groom
Anbar Ghannan
Investigator #2
Anbar Ghannan
Self
Raed Khattab
The cheerful prisoner
Raed Khattab
Investigator #3
Raed Khattab
Self
Mohammed Nimer
Set Builder
Mohammed Nimer
Policeman #1
Mohammed Nimer
Self
Mahmoud Abu Srour
Set Builder
Mahmoud Abu Srour
Policeman #2
Mahmoud Abu Srour
Self
Monther Jawabreh
The visual artist
Monther Jawabreh
Self
Firas Nasr-Allah
Set Builder
Firas Nasr-Allah
Self
Walaa Eltiti
Self
Yazeed Faruja
Self
قد يعجبك أيضًا
Ghost Hunting
لا أرض أخرى
Sexology
Bigay hilig: Sexual Fetish
Kingdom
Good Girl's Guide to Kinky Sex
Ashley Madison: Sex, Lies & Scandal
عالم الحيوان المدهش
Generation Porn
حرج: ما بين الحياة والموت
Porn Laid Bare
The Principles of Pleasure
Far from Home
Sex Actually with Alice Levine
Africa
Trust Me: The False Prophet
XXXmas
أغوي للقتل
Michael Jackson: The Verdict
Secrets of Playboy
Planet Earth III
The Manhattan Alien Abduction
Underworld, Inc.
Should I Marry a Murderer?
التعليقات
4 تعليق
The film mixes documentary with fiction in a very subtle way, and uses the prisoners to build a prison to re-enact their prison days, with the backdrop of their daily norms. Like the marriage of Anbar Ghannan. All that said. the film is a kind of therapy for these guys and a way to let their anger out, which manifest itself clearly during the period of the film to a point makes you feel; that they're going to tear the prison down at the end, so all of the agony they felt during the prison days be over. And can now start a new life, a normal life even. It's a very emotional and smart film that basically, forces you to feel for the characters even if you don't know anything about Palestine and the Palestinian people, and the political situation. All in all the film is excellent, and highly recommended. Hope you enjoy it.
The film begins with the director recruiting actors--particularly ex-inmates at the Israeli jail named Moskobiya. They all work together to build a reproduction of the inside of the place and later they all play roles. Much of the movie looks like the movie of the making of the movie. And, because of this, it really takes away from the impact of the subject matter...violations of human rights in Israeli jails. I also found it VERY ironic that much of the film was financed by Abu Dhabi...a country with a horrendous record on human rights and prisoners. Plus, while I am not excusing Israeli treatment of Palestian prisoners (it's wrong and should be exposed), it made me think that the anti-Israel deflects from the problem that abuse of prisoners is NOT an isolated problem of one nation but, sadly, many. Overall, the film is mildly interesting but could have been much, much stronger and impactful had it taken a different filmmaking approach.
