الخيل

one of Richard Burton splendid roles. the convincing performance of Peter Firth. a good play. short, one of movies who remains a web of questions, emotions, stains of feelings because it is a kind of descent in yourself. sure, many critics , result of nostalgia for play adaptation on stage. but it is not a version. only a precise film inspired by the Schaffer universe. the director does an admirable work first for refuse of confrontation with the text. it is a splendid exploration of details and a fight between two manners to discover life. it is a precise construction using few extraordinaries images. a film about lost and axis of life, about values and need to escape from a fake image of world. it is necessary to see it. not only for acting - it is beautiful at whole. not for subject - it could be not new. but for the grace of details. and for the pillars- questions who can give another nuance , for two hours to an ordinary day.

An interesting drama, with an intriguing screenplay full of interesting ideas and with a strikingly mystery element to it, the film is a bit lengthy and drawn out, and there are a few other quirks one may have with it, but it is generally solid stuff. Burton is very good as an ever-questioning doctor, fascinated by his patient for reasons that are beyond what he can grasp. Firth also is strong as a confused young man, and he has quite a bit to do with his role: he plays his character in a mentally disturbed state, under hypnosis, and even credibly as himself at age six in one scene. The film is jarred by its monologues, which cause it to ramble on and become tangled in its philosophies - but the ideas themselves are good. It was adapted from a stage play and perhaps it would have worked better on stage, but even if imperfect, this film version is still an interesting watch.

I love the movies of Sidney Lumet, well most anyway, and I feel Equus while not his best film is one of his better ones. Of his movies I think Equus is his most haunting film and also one of his most bold in the subject matter and what it tries to convey. The film is beautifully and atmospherically filmed and Lumet does a superb job directing. The dialogue is intense, deep and thoughtful and the story is compelling and really quite moving too. The acting is excellent, with Richard Burton really engrossing himself into the role and Peter Firth's haunting style of acting riveting. Joan Plowright and Jenny Agutter also give fine accounts of themselves. All in all, a bold and haunting film. 10/10 Bethany Cox

This is Richard Burton's most powerful performance. It his his story that gives the movie's its narration. Although this is the story of Peter Firth's character and his struggle with his love and connection with horses, it is Burton's power that makes this movie deep. Anyone in the field of psychology and / or therapy needs to watch this movie. It is a story of ones search of meaning and redemption. Somewhat hard to understand at times, this is more than a story about a young man and his confusion with life and his beliefs. Jenny Agutter is once again pure eye candy. To say she is Posh is beyond fact. Although she has a limited role, her time spent on screen is great. Each time she appears, she lights up the screen with her beauty. Still, it is the power of Burton and Firth that makes this drama somewhat of a masterpiece.

I want people watch this film with an open mind but they have to be mature and understanding. Alan Strang is disturbed young man who has a disturbed fascination with horses. He places them in the godlike category. His relationship only gets worse when he works at a stable barn. There, he has almost a bestial relationship with the animals there. When he finally confronts a relationship with a fellow stable girl played nicely by Jenny Agutter. When he feels watched and betrays his god, he commits the most disturbing crime. Warning, this film is not for children or some adults with weak stomachs. There is full nudity of both Firth and Agutter in the movie. There also wonderful performances by Dame Eileen Atkins and Dame Joan Plowright in this film.

Richard Burton gave his finest performance in this adaptation of the Peter Shaffer play about a psychiatrist (Burton) who must unravel a mystery surrounding the blinding of a number horses from a young boy,played to perfection by Peter Firth. The film loses the play's theatricality immensely, but the performances in the film are so incredible all around that none of that will matter. Joan Plowright stands out as the young boy's mother. Burton and Firth were Oscar nominated.