A journey in a heated and paranoid America with a man in search of a lost love, a woman lost in desire for revenge and a twenty-year-old diary about the yearning to waste oneself in destruction.
Trailer
Pemeran
Rolf Peter Kahl
Director
Rolf Peter Kahl
Frank Patrick
Deborah Kara Unger
Liz Archer
Ava Verne
Nina
Lena Morris
Marie
Lena Morris
Marie's Double
Buddy Giovinazzo
Radio presenter
Joel Cairo
Richard Neiner
Karim Cherif
Skid
Rolf Peter Kahl
Writer
Torsten Neumann
Writer
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Komentar
10 Komentar
No pun intended - because it is also the depiction of ... well I reckon you can call it Ecstasy. Or a highlight - a moment of absolute satisfaction? That may be way too much to be honest. One thing you should know: there is a lot of nudity and a lot of graphic scenes (as in explicit). Just be aware of that, if you have issues with those things. Especially because the actors do look directly at you at some points - like after or during pleasing themselves. That being said, the movie itself stays bleak for most of the time. At least when it comes (sorry for the pun) to the mood - and I reckon also the photography. Which looks stunning by the way. Apparently the DP is usually a photo camera man and not a film camera man. Maybe some will see that as a bad thing - but I liked what he shot - be open minded. Which is true for the whole movie experience. Depending on how much you've seen media wise, how easy you can be shocked ... well this will all play into your experience. Also if you get some nods to other movies. Slow paced and some other things that might connect with most viewers - but the filmmaker is consistent. And I reckon we will see more of him ... I wouldn't mind.
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source: Ecstasy
No pun intended - because it is also the depiction of ... well I reckon you can call it Ecstasy. Or a highlight - a moment of absolute satisfaction? That may be way too much to be honest. One thing you should know: there is a lot of nudity and a lot of graphic scenes (as in explicit). Just be aware of that, if you have issues with those things. Especially because the actors do look directly at you at some points - like after or during pleasing themselves. That being said, the movie itself stays bleak for most of the time. At least when it comes (sorry for the pun) to the mood - and I reckon also the photography. Which looks stunning by the way. Apparently the DP is usually a photo camera man and not a film camera man. Maybe some will see that as a bad thing - but I liked what he shot - be open minded. Which is true for the whole movie experience. Depending on how much you've seen media wise, how easy you can be shocked ... well this will all play into your experience. Also if you get some nods to other movies. Slow paced and some other things that might connect with most viewers - but the filmmaker is consistent. And I reckon we will see more of him ... I wouldn't mind.
The film is well shot and is sort of a mix between Kahl's own vision and Antonioni, Lynch and other influences. Great actresses too: both the two newcomers and the ever-charming Deborah Unger are prefect in their roles.
