سي إس آي: نيويورك S1-S9

Watching the episode Unspoken. Completely horrible, horrible music, no acting whatsoever, and what kind of enjoyment is it to see closeups on a doctor removing shoes and a bullet from the stomach of a ten year old girl. And the he starts washing her hair...come on...I cannot imagine anyone wants to finance this kind of crap on teve. I can see why the episode is called unspoken...but this is over the top. Just pure crap. Isn't people fed up with these kind of rip offs? Cheers

CSI: NY is not bad. It's not as good as CSI: Miami or CSI: LV, but i guess that's because it is trying to be different. It has to be doesn't it really? What's the use in having more of the same. To those who are putting it down, maybe we should give it a try. Maybe after one season you can give it a good marking. The characters still have to be developed. The NY scene seems very gritty and Sinise seems rather cold at times, emotionally detached apart from the Pilot episode where he missed his wife and went to ground zero. CSI:NY over all seems worth a watch, and i will continue to watch it, i just won't expect too much out of it like i do from CSI or CSI:Miami. My vote = 5/10 or 6/10 = fairly average.

Today is the 10th anniversary of the day Melina Kanakaredes quit the show in protest because CBS and producers refused to pay her on par with Gary Sinise. But that was the fourth shot fired in the network's war on this show. The destruction of CSI:NEW YORK was assured way back in 2005 when Anthony Zuiker, kowtowing to Les Moonves, agreed to have the sets Carey Meyer designed & built destroyed for no reason whatsoever. It was here Moonves & CBS knew they could inflict whatever damage they wanted to on this show. 2 months before the breakdown between CBS, producers & Kanakaaredes, CBS made the decision to move the show from a secure berth on Wednesday at 10 to the Friday night deathslot at 9. If not for the loss of Melina Kanakaredes, the show could have easily survived, but CBS was dead set on sabotaging this show because out of all 3 of the CSI series', this was the most expensive to produce and CBS had gotten greedy & stupid. If you're wondering what the second & fifth shots fired were, the former came in the decision to hold the 100th episode of the CSI series set in NEW YORK in LOS ANGELES, illustrating the stupidity, the ignorance, the corruption, the mindlessness, the incompetence on part of the producers who were incapable of connecting the dots. Because it makes logical sense to not hold the celebration for a show in the city in which it's set. What you get when you have rocket surgeons like Jerry Bruckheimer, Ann Donahue, Jonathan Littman, Carol Mendolsohn, Pam Veasey & the jerkoff at the top, Anthony Zuiker. The final shot came in the form of hiring Sela Ward, the dummy who 8 years earlier turned down the role of Megan Donner on CSI:MIAMI. Without the chemistry of the classic cast, the show became an incohesive mess. The show was weak, poorly written, nowhere in the vicinity of the amazing show it used to be. From the moment Season 7 premiered, CSI:NEW YORK was in a death spiral. At the 100th episode party in 2008, Sinise proudly exclaimed 0nto 200! When you make the decision to celebrate the 100th episode of the CSI set in NY by holding it in LA, the show was doomed. At that moment the doomsday clock ticked faster & closer to midnight, until finally in 2012, production came to a final end and all of the episodes broadcast in 2013 were nothing more than a burnoff. Rest in pieces, CSI:NEW YORK, rest in pieces.

I actually happen to like CSI:NY. having watched some episodes of CSI(LV)I have to say it can't quite measure up to the original, but it is definitely worth watching. Gary Sinise gives his usual great performance, although sometimes it seems as though he's just bored with the proceedings. Melina Kanakaredes (check spelling) is a good match with him as Stella Bonasera, and together they work through plots that work with the city, as well as with a solid supporting cast. Vanessa Ferlito gives the desired amount of sex appeal mixed with street smarts as Aiden Burn, and Hill Harper is a wonderful balance as now-you-see-him, now-you-don't Medical Examiner Sheldon Hawkes. Eddie Cahill has the appropriate detective's attitude as Don Flack, and having seen his other work I think he has a lot of talent, plus the one-liners he has are hysterical. But in my opinion, the Staten Island-raised, smart-aleck detective Danny Messer, played to a T by Carmine Giovinazzo, is the hidden talent here. He's smart, cute, always follows the rules, but sometimes he likes to bend them for the sake of having something to do. And he's not immune to mistakes. Giovinazzo seems to take these to heart every time he appears on camera, and he is a delight to watch. Maybe CSI:NY is a little young- but just give it time. I'm sure as it goes by, this show will pick up and become better than it already is. What it really needs is to distinguish itself from the tangle created by CSI and CSI: Miami. Otherwise, no one will notice.

CSI rules. Miami is very different, but good at what it does differently. New York... they have no identity. boring Unestablished actors, dumb or implausible plot lines no Sarah no Horatio TERRIBLE, and that Brooklyn accent guy! I want to punch him. They need one actor with character. I'd recommend Michael Richards. Or how about a Black actor to run the CSI? three white men? come on, really? I think a foreign spin off would have been a better idea. How about CSI: London, with Mr. Bean! That would have to be more entertaining than this.

I love the CSI series, but CSI:NY is my definite favorite. There's much more character development than in the other series. You can actually follow the characters one by one, and get to know them. It's in many ways more human. For example, in CSI:Miami, Horatio Caine is presented as an almost clairvoyant person: He walks into a crime scene, and just by looking at some blood traces, he can say: "No, I don't think our victim went over here to call the police - he was going to warn his son who he thought was asleep. But his soon was at a party in town." CSI:NY is much more down to ground. Not to mention, it's much more bright and colorful. Compared to L.V., where even the labs and offices are like dark tunnels, the settings and locations in N.Y. is much brighter. For me, this makes the program easier to watch. I'm so glad we have a TV channel who broadcast CSI:NY here in Norway, because this series is just brilliant!

When I watched the first episode, I was sadly disappointed. I was already a fan of CSI, Las Vegas and was expecting something similar only in NYC. I didn't necessarily want a clone, but I did want some of the same features that I enjoyed in CSI, Las Vagas and other shows I enjoy as well. What I didn't see in this show when it first started was a sense of teamwork. The plot was good, the actors were good, but it seemed to me that all the other actors revolved around Gary Sinise's character. There was no sense of a group of professionals working together for a common goal. One night several weeks ago, I watched it again and was pleased to see that the only thing I didn't like about the show had changed. The show had become a story about 4 people, and now 5 with Anna Belknap, working together to solve a situation. Now I watch it every week and feel a sense of satisfaction at the end of an hour.

Having watched my share of NYPD Blue some years back, it was strange seeing David Caruso in a crime drama set in New York without Dennis Franz at his side. That's right: New York. Just prior to its season finale, CSI Miami sends Horatio Caine to the Big Apple in search of a killer. Caine's lead seems to dead-end when he arrives at another crime scene and discovers his suspect was murdered two days prior to the Miami crime he is investigating. Enter Gary Sinise as Detective Mac Taylor. The scene of Caine and Taylor's meeting features a moment of lighting genius in which Caine stands in a beam of warm amber sunlight while Taylor's key matches the cool blue ambiance of his native New York atmosphere. (Who says these things only happen in films!) In this pre-pilot, Taylor and Caine discover they are searching for the same killer. At first they refrain from joining forces, but once they establish through chit-chat their mutual admiration for the death penalty and its liberal enforcement, the two are inseparable. While the CSI counterparts get acquainted, two more murders take place in New York. These are uncannily similar to the Miami slayings. A bloody fingerprint in Miami points Caine and Taylor to a convict, a rooftop chase and a narrow escape for their new prime suspect. The New York CSI team pieces together the facts of the most recent murders. The introductions of Taylor's staff are brief and forgettable. This episode was created to establish an emotional connection between Caine and Taylor, presumably to generate interest in CSI New York's "real" pilot. If all goes well, the show will have an entire season to develop supporting characters. For those who didn't see it and are hoping to catch the repeat, I'll refrain from revealing who hired the hit man and why. And for those like me who are contemplating whether to watch the CSI New York pilot, I say "go for it." If the pre-pilot (CSI Miami in New York episode) is any indication, CSI New York will probably build on the solid foundation of tough-but-approachable characters, clever episodic plots and fast pace that typify the first two CSI shows. The intense simulations of violent crime forensics (the CSI trademark device) also make for hypnotic viewing.

I'm so sorry to see Sinese in such a waste of a show. I hope they're paying him a lot of money to do this. It's a total waste of his massive talent. The CSI franchise is notorious for its horrendous dialog. "Better bag that," "Get back to me," "I think I found something," is about as deep as they typically get. When Sinise was first announced as the star of this new one, I was certain that somewhere in his contract it would say that his character and the show had to be better conceived than the other ones. But instead of being mysterious, as I think they are attempting, the character is just flat. Now, I like the three series despite my comments about the dialog. The way the cases unravel can be surprising and satisfying. Last night's show with the dog show contingency, however, was so over the top in its attempt at humor that I'm not sure I can stick with it. I love Sinise. I hope he's got an "out" in that contract. Come on, producers -- how hard would it be to bump up the quality of this show? You have the on-screen talent, for heaven's sakes. Use it.

Wow, what have we done to deserve this, another fantastic series from what has shaped up to be one of the best franchise's on television, CSI:NY has everything that a good cop show needs; strong leading characters, well thought out stories and above all else, cinematic production values, like the previous two series do. That it isn't to say that the show had the best start. I'll admit to being balled over by the pilot/crossover episode during CSI:Miami's second season and I couldn't wait to see how it would transpire as a fully fledged series. Initially however, the series did have a rough start. The show just seemed too dark and gloomy and any humour seemed to sit at odds with the show's dark milieu, but things happily changed as the first season progressed and by the end of it's freshman year I would have to say that CSI:NY was truly one of the best shows on the box, more than giving its sister series a run for their money. Like CSI's Miami and Las Vegas, the show has a terrific leading man with a penchant for feature films and character acting, in this case Gary Sinise. For anyone who has seen Apollo 13, The Green Mile, Ransom or Mission to Mars, it is great to see this actor headlining his own show and doing it so well. Initially his character is so dark in the earlier episodes, much like the series, it is hard to like him, but like the show he comes out of his shell and we get to see a likable and at times nicely humorous character simply trying to move on with his life after the death of his wife. Like the other two series we have a superb leading lady, in this case Melina Kankaredes, simply one of the most beautiful leading ladies on television, and a damn fine actress to boot, with the two leads centered around a terrific supporting cast. Eddie Cahill and Hill Harper stand out almost straight away, whilst Carmine Giovinazzo really comes into his own as the first season develops culminating with a terrific storyline involving a shootout and a dead undercover police officer towards the end of the season. If there is a weak link it is possibly Vannesa Ferlito's character Aiden. While likable, she is essentially a third wheel and does nothing more than react to the other characters. Like the other two shows, hell like every thriller/crime series on American television today, the production values are incredible, the aerial shots of New York are some of the best ever done on a television series budget and the show, especially on DVD, looks fantastic. If there is a nit-pick to be had it has to be that at times it is very obvious that the show is filmed on studio lots in Los Angeles, something not as obvious on CSI's Las Vegas and Miami. For anyone who has ever seen Joss Whedon's Buffy the Vampire Slayer spin-off Angel, one cannot help but get a kick nearly every episode of seeing the vampire with a soul's old office from season one in the background of many scenes throughout CSI:NY's first season. Aside from this, the show does very well with what it's given, which is fine acting and some of the finest writing currently on the crime genre in television. If you have yet to see this show, buy the first season on DVD, there are many fine episodes to watch, and many to choose from. I wouldn't expect anything else from a series created by Anthony E Zuiker.