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The acting here is really quite poor, even Christopher Denham is far from the quality of his performance in Billions. The premise is quite fun in an obvious way, Photographer with PTSD, starts to unravel further when he finally musters the courage to start shooting again with an old camera that has as much baggage as he has, capturing things on film that may not be there... yet. It's really just a series of tropes, but despite its flaws it's oddly enjoyable and for all its predictability it does manage to raise the pulse, but there's no edge. *Apologies for the poor title to this review, I needed a laugh after this.

Adjusting to a new life, a disturbed man receives a vintage camera as a present only to find the pictures he develops seem to predict the future with a series of accidental deaths, and when his fiancée appears in one of the pictures he tries to change history to ensure she stays alive. Overall, this was a decent if entirely forgettable affair. One of the few enjoyable elements to this one is the fact that there's quite a decent mystery angle employed here with how this one plays out the camera's purpose. Since it's acquired in a manner that doesn't necessarily offer the most intensive knowledge of the situation, the eventual discovery of its history and how it was tied to the past atrocities has a really intriguing and occasionally chilling method to be featured here. As this becomes a bit more chilling with the connection of the incidents in the photographs and his race to prevent them from happening, it does have a somewhat decent storyline at play here. The other rather enjoyable aspect of this one comes from the way the film builds up its series of accidents as there's a lot to like with these scenes. Starting off innocently with the coincidences including the death at the playground he walked by to the construction site accident, it soon gives way to slightly more chilling scenes including the incident at the public swimming pool or his heroic attempts at the apartment as being a somewhat entertaining series of action scenes to give this some life. That it changes over in the later half to his attempts at saving her drive this into some rather shocking and brutal scenes that generate some solid gore and action scenes in the final half. These here manage to hold this up over its many flaws. Much of the film's problems stem from the central issue associated with films of this type of storyline in that it's entirely based on the obliviousness of characters to recognize the central danger. As we know from the beginning how dangerous the camera really is, the fact that nobody else recognizes this makes the film more of an exercise in frustration than terror as we spend more time trying to ensure they get rid of the cursed object than keep it around. Once it becomes obvious that the special pictures are coming true, the need to hide its powers becomes less and less obvious which basically renders the film far more a suspenseless slough through expected terrain rather than a terrifying ordeal. That manages to tie into another big problem here in the extremely dull pacing that pops up here. Not only is this film a product of not having an appropriate plot line to stretch out for as long as it does, but the fact that the majority of it's running time is spent devoted to an area that frustrates viewers leaves it cold. As these scenes go about running through these predetermined ideas that really deserve outside forces be brought onboard to help determine the cause of it all, these manage to really infuriate by going through so many scenarios that should've required something else come into play beforehand that film is troubling more often than not. The other big problem here is that a large portion of the accidents occur off- screen and reported later, making it hard to really get any real sense of fear out of these scenes. Overall, these are the issues that hold it down. Rated Unrated/: Graphic Violence, Graphic Language, Brief Nudity, a sex scene and drug use.