تترك (بافي) (لوس أنجلوس) وتعود إلى بلدتها في (سانيديل)، قبل أن يجبرها قناع يعيد إحياء الموتى على محاربة جيش من الزومبي، ويخطط اثنان من مصاصي الدماء الأقوياء لشن هجوم مروع.
الإعلان الترويجي
طاقم العمل
Joss Whedon
Director
James A. Contner
Director
David Solomon
Director
David Grossman
Director
Michael Gershman
Director
Bruce Seth Green
Director
Nick Marck
Director
James Whitmore Jr.
Director
David Greenwalt
Director
David Semel
Director
Michael Lange
Director
Douglas Petrie
Director
John T. Kretchmer
Director
Ellen S. Pressman
Director
Daniel Attias
Director
Marti Noxon
Director
David Fury
Director
Rick Rosenthal
Director
Marita Grabiak
Director
Reza Badiyi
Director
Scott Brazil
Director
Stephen Cragg
Director
Stephen L. Posey
Director
Charles Martin Smith
Director
Deran Sarafian
Director
Tucker Gates
Director
Regis Kimble
Director
Christopher Hibler
Director
Turi Meyer
Director
Alan J. Levi
Director
Bill Norton
Director
Michael Grossman
Director
Sarah Michelle Gellar
Buffy Summers
Nicholas Brendon
Xander Harris
Alyson Hannigan
Willow Rosenberg
Anthony Head
Rupert Giles
James Marsters
Spike
Emma Caulfield Ford
Anya
Michelle Trachtenberg
Dawn Summers
David Boreanaz
Angel
Kristine Sutherland
Joyce Summers
Charisma Carpenter
Cordelia Chase
Amber Benson
Tara Maclay
Seth Green
Oz
Marc Blucas
Riley Finn
Danny Strong
Jonathan Levinson
Tom Lenk
Andrew Wells
Tom Lenk
Cyrus
Eliza Dushku
Faith
Armin Shimerman
Principal Snyder
Juliet Landau
Drusilla
Joss Whedon
Writer
Rebecca Kirshner
Writer
Douglas Petrie
Writer
Drew Z. Greenberg
Writer
Jane Espenson
Writer
Marti Noxon
Writer
Dean Batali
Writer
Rob DesHotel
Writer
Steven S. DeKnight
Writer
Dan Vebber
Writer
Tracey Forbes
Writer
Drew Goddard
Writer
David Fury
Writer
Matt Kiene
Writer
Joe Reinkemeyer
Writer
David Greenwalt
Writer
David Tyron King
Writer
Ashley Gable
Writer
Thomas A. Swyden
Writer
Carl Ellsworth
Writer
Howard Gordon
Writer
Dana Reston
Writer
Elin Hampton
Writer
Thania St. John
Writer
Diego Gutierrez
Writer
قد يعجبك أيضًا
جريم
ناكلز
Power Rangers Megaforce
Halo: Nightfall
Commandos
الساحر: أصل الدم
الاثنا عشر
Avataro Sentai Donbrothers
Armored Saurus
قل لي الأكاذيب
The Transporter
ملكة السكر
خادمة
من استأجر القاتل المأجور؟
خيانة
Mafia's Tender Torture
Forbidden Office Romance
The Missing Miracle Doctor
The dawn of Olympus son of apollo
التعليقات
10 تعليق
why some of this episodes were cut into 10 or 17 duration????
Very often, when you find a particularly negative review of Buffy the Vampire Slayer, you find someone whose glancing opinion bounces off the surface "appearance" of the show and does not delve into the actual substance therein. Frequently, they are people who haven't really seen enough episodes to form a well thought-out opinion on the series, the content, and the characters as a whole--especially, people who have only seen a few eps from season one. Season one is the most shallow end of the series. It really gives you no clue as to what the series ends up being. Believe me, it gets more intense and complicated and dark as it goes on. If you decide to give it a try, I suggest checking out a handful of episodes from season three on before passing judgment. Some good examples are S3--The Wish, Helpless, Doppelgangland, S4--Something Blue, Hush and Restless, S5--Fool for Love, Triangle, Weight of the World, The Gift (I'd also say The Body but that one gives too much away) S6--Bargaining, Tabula Rasa, Older and Far Away, S7--Beneath You, Selfless, Conversations With Dead People, The Killer In Me, Get It Done (I'd say Chosen but it's the series finale which also would give too much away). About the show itself--Buffy is the antithesis of the "pretty-blond-victim" who runs from the "psycho ax-murderer" in horror films past--the girl who always twisted her ankle and fell in her attempt to get away. How many times did we see that scene and feel just a little bit disgusted with the victim for not even trying to fight back? How many times did we see that scene and feel disgusted with the directors for typing female victims in this way over and over again? Buffy, herself, isn't the "traditional" feminist TV icon. Many of those are women who have forfeited the ultra-feminine symbols of their gender--love, compassion and vulnerability in order to maintain equal footing with men. Buffy doesn't do this. Buffy embraces those symbols in one hand and hones and wields them to fight evil in the other. The show appears as a bubble-gum program, aimed at teens and while it's fan-base is largely younger viewers (teens-twenties), it's major themes profoundly confront the more mature ideas of good vs. evil, life and death, friendship, religion, the soul and the true meanings of power and love in such a way that is rarely addressed in current entertainment. It challenges the traditional ideas of religion as being an "institution" and asserts that it is something to be lived, that real love requires self-sacrifice, that true friendship requires far-reaching forgiveness, that true power is rooted in love and compassion and that good and evil, while in shades of gray can still be defined.
How can they do this to us? If you want to see the worst TV-series that I have perhaps seen this decade, feel free to watch it, but it ruins all general ideas of Vampires. How can anybody kill hundred-year old vampires with such ease? If you have previous knowledge of vampires, you would know that it wouldn't be that easy as potrayed. God have mercy on us all.
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