Bronco Bullfrog

I'm only a few years younger than the protagonists and can remember the clothes (though I don't believe these people were really suedeheads) and the cars and the caffs etc. And for a bit of nostalgia and as a visual snapshot of life at the time, it's worth a watch. But the bottom line is that using non-professional actors to portray people just like themselves doesn't get us, necessarily, anywhere nearer naturalistic realism than the smarmiest of drama school brats would. So it proves. It's mostly dreadfully wooden, all muttered lines, rigid stances and strange pauses, to the extent that the plot, basic though it is, is difficult to follow.In fact some passages are downright mystifying in that respect. It gets a bit better as it goes on but whichever critic called this a 'masterpiece' is just being silly.

Given that the people behind the camera would have been trained in their skills why should this not apply to the actors I front of the camera.There is really no story and the dialogue is terse.This though does not prevent long scenes with little pace or purpose..All in all a pointless exercise

It´s a social realistic film. We follow some kids in the late teens, some in school and some at work. There is not really a story or the story isn't that important. Boy meets girl meets no acceptance from home so they run away. They team up with Bronco Bullfrog who has escaped from borstal. The best thing about the film is that we can follow normal working class kids in East End in London during the era of the Skinheads. So we get a non political view from skinheads, even if you may call them Suedeheads or whatever subcategory you like. There is no actors in the film, everybody is handpicked from the streets. The "bad" acting helps the real feeling. But you could always asked more from the director regarding the tightness of the film. I rated it 7 of 10.