Ray Charles attempts to help a down-on-their-luck boozing family whose son is blind. He wants to finance the recovery of his eyesight, but the family is afraid of what might happen if something goes wrong.
الإعلان الترويجي
طاقم العمل
Paul Henreid
Director
Ray Charles
Self
Tom Bell
Steve Collins
Mary Peach
Peggy Harrison
Dawn Addams
Gina Graham
Piers Bishop
David
Betty McDowall
Mrs. Babbidge
Lucy Appleby
Margaret
Joe Adams
Fred
Robert Lee Ross
Duke Wade
Anne Padwick
Bus Conductress
Monika Henreid
Antonia
Brendan Agnew
Antonia's Protector
Vernon Hayden
Headmaster
Leo McCabe
Doctor Leger
The Raelettes
Themselves
Paul Henreid
Writer
Burton Wohl
Writer
قد يعجبك أيضًا
ارقص في الساحة 2: حفل التخرج
هزمتم : الفوز العالمي
I Used to Be Darker
Her Smell
إمبراطورية
الخطوات الساخنة: هاي ووتر
Born to Shine
Across the Sky
قلب زجاجي
Rise
Savage Rhythm
The Breaks
مونارك
Shark
الفتاة المتمردة
Vinyl
Forever
Yaz Sarkisi
45 دورة في الدقيقة
The Queen of Flow
Queens
Do Do Sol Sol La La Sol
حواري ساو باولو
التعليقات
5 تعليق
source: Blues for Lovers
Ballad in Blue
This is an example of the musicals of the 60s where pop stars or musicians were featured who weren't really actors so the story has to be fitted around their talents.In this instance the main aspect of Ray Charles featured,apart from his music,is his blindness.A desire to help a blind boy have an operation which might restore his sight.Unfortunately the boy is played by Piers Bishop,in a flat monotone voice.Rather like a speak your weight machine.This becomes extremely grating on the ear.A good part of the film is occupied by Ray Charles in concert.So if you are a fan of his you can ignore the tripe that passes for a story.If you don't it's probably better to fast forward the whole film.
BALLAD IN BLUE is a star vehicle for famous musician Ray Charles, here playing himself in a story in which he becomes involved in the life of a put-upon blind boy in desperate need of an eye operation to restore his sight. This American production was filmed in Ireland by an American company with financial issues but looks reasonably good for its era. It's a family drama with added music and it's safe to say that with a musician of Charles's calibre, the musical segments are great and very toe-tapping. The rest of the story isn't bad ever, showing how persistence and spirit can overcome adversity. Like a lot of mid-20th century movies, the backdrop alone is of interest, but child actor Piers Bishop deserves kudos for his deeply convincing turn as the blind child; he was equally good in the tense thriller TOMORROW AT TEN made the previous year.
