Ann Vickers

Lackluster romantic drama with feminist elements. Basically it's Irene Dunne spouting off about wanting to have her own career and being involved in relationships with douchebags. All of the success she has career wise is ultimately attributed to a man and the film's message seems to be that a woman's happiness only comes from the love of a man, so I really don't see where feminists are supposed to find much to love about this film. The brief middle part of the film dealing with the brutal goings-on at a women's prison are most interesting. They should've made an entire film of that. The rest is forgettable. The cast is fine. No standouts. Edna May Oliver is wasted, which is just criminal.

This is what a woman's film ought to be in this era, not just 70 years ago. The Ann Vickers character is a strong woman devoted to her career and to those who depend on her at the women's prison. She is not without her flaws as any hero or protagonist, but she overcomes so many obstacles and definitely has control over her life. What has happened to strong and complex female roles in modern motion pictures? This movie is well acted, well-written and has a tremendous message. I recommend it to anyone who can get their hands on it, as I believe it is still not available on video. It ranks up there with Norma Shearer's character Jerry in "The Divorcee" as far as a well-developed complex strong female characters. We need more movies depicting our gender this way not just as sex objects but as sexual subjects, with career goals and sex drives. Watch this movie!

Ann Vickers (1933) ** (out of 4) Static version of Sinclair Lewis' play has Irene Dunne in the title role of a social worker who gets dumped by an American soldier (Bruce Cabot) and then puts all her attention on her work. She eventually falls for a controversial judge (Walter Huston) but this here might cost her everything she's worked for. This RKO film was produced by Merian C. Cooper the same year he made King Kong but that's the only thing the two films have in common. Dunne is good in her role but the film is all over the place and it's easy to see that the film is trying to cover several parts of the book but can't take everything in within the short running time. Huston stays under control and gives a winning performance as does Cabot and Conrad Nagel in his supporting role. Edna May Oliver and J. Carrol Naish also have small roles.

To call Ann Vickers a women's picture may technically be accurate--it was, indeed, adapted by Jane Murfin, also responsible for 1939's The Women--but it's much more than that. Quite simply, this is one of the best dramas ever produced in Hollywood. Written with delicacy and tenderness, yet planted firmly in the cruel realities of life, Ann Vickers includes a tour de force performance by Irene Dunne, ably supported by the wonderful Walter Huston as her lover, and Conrad Nagel and Bruce Cabot as would be paramours. There are some incredibly powerful moments here, especially during the prison scenes, and Dunne and Huston are magical whenever they're on screen together. Certainly daring by the standards of the time, Ann Vickers is a refreshingly honest and still topical masterpiece.