All the King's Men

World War 1 (or "The Great War") is never an easy subject to cover on film without leaning towards the extremes of patriotism or cynicism. "All the Kings Men" somehow manages to balance between the two ends, depicting the fighting at Gallipoli in the realistic terms that it deserves. This slips at the ending, however, into a controversial depiction of the fate of the battalion that drew criticism not only from the Turkish ambassador to London but one of Captain Beck's grandsons. Despite this shortcoming, "All the Kings Men" is still a powerful - and humane - depiction of the awful tragedy that was Gallipoli, from the British side. Aloha 🙏🏼🤙🏼 8/10.

while I agree with other posters about the quality of this film (the characters, acting and storyline were impressive) I can't say the same for the "mystery" aspect of the incident in Gallipolli it is based on. It is a myth that no official explanation exists; the incident is recorded in detail in the regimental history of the Norfolk regiment, to which the Sandringham company belonged. It is also a myth that no trace of the men was ever found; whilst their fate was unknown during the war (hence the mystery) their graves were recorded in 1920. The sad truth seems to be that most of the men perished in the battle, and those that did not died as prisoners of war

Director Julian Jarrold (Emmy-nominated "Great Expectations") makes another richly textured film. Beautifully filmed with high production values, it takes us on an emotional journey through the blunderous battle at Gallipoli. Like the more famous movie starring Mel Gibson and Mark Lee, "All the Kings Men" introduces us to the brave soldiers who enthusiastically volunteered to fight for King and Country in World War I. The cast is excellent (if you enjoyed "Great Expectations," you will see many familiar faces here); the story is heart-wrenching.

Surprisingly graphic for British TV, this is the wrenching story of a rifle company composed of estate workers from the King's country home at Sandringham, a sort of perfect Camelot from which men go forth to be slaughtered in World War I. Don't look too hard at the mystery of what happened to this unit, which apparently disappeared into the hell of battle at Gallipoli. More important is the metaphor of the illusion of war-worn "glory" hitting the rerality of modern battle. In much the same way that an egg hits a sidewalk.

This is a richly textured story, filmed with the attention to detail that caused so many of us to plan our Sundays around "Masterpiece Theatre" starting with "Upstairs, Downstairs" and "Poldark", (Not to mention "I, Claudius", "The Duchess of Duke Street",...) In a film where the casting is uniformly superb, it is impossible to do everyone justice. As another commenter mentioned, David Jason and the always magnificent Maggie Smith remind us of a time when noble master and faithful servant were not cliches, but real people with pride, honor, and yes nobility on *both* sides. Additional shining performances from Ian McDiarmid as the vicar who stays home and Patrick Mallahide as the doctor who goes to war. I thought that "Johnny Got His Gun" (A+ book, B- movie) had given us the last word on WWI (or the 14-18 war as some call it.) I was wrong, and this film proves it.