Isang dekada pagkatapos ng 1920. Nang dumating si Ayush sa England upang matuto ng musika, nagulat siya at natakot nang ang manor na kanyang tinitirhan ay pinagmumultuhan ng mga espiritu. Upang paalisin sila, humingi siya ng tulong kay Rose, isang babaeng nakakakita at nakakausap sa kanila.
Trailer
Cast
Vikram Bhatt
Director
Zareen Khan
Rose
Karan Kundrra
Ayush
Vikram Bhatt
Mr. Wadia
Angela Krislinzki
Mehar Wadia
Angela Krislinzki
Dina shaw
Nidhi Chitrakar
Nafisa
Aradhya Taing
Vasudha
Neil Broome
Caretaker - Mr. Jenkins
Rachel Shaw
Maid - Emma
David Turner
Professor Christopher Arkin
Wayne McAulay
Piano Teacher
Jazz Gee
Ayush Father - Mr. Astana
Toby Hinson
English Gentleman Mr. Brett
Shane Harper
British Soldier (Ghost)
Grace Hendy
Julia Richard's Wife
Chris Orton
Gas Station Man Jim
Alex Dalton
Police
Ian Ray-White
Doctor
Neil Hurst
Doctor
Vikram Bhatt
Writer
Esha Desai
Writer
Tanya Pathak
Writer
Kumar Sumeet
Writer
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Mga Komento
10 Mga Komento
Very Good
in English
1921
I think my title summarises it all. 1. The performances are wooden and plastic. 2. Story is juvenile. 3. Effects are decent 4. Dialog is exaggerated and unnatural. Typical hindi movie stuff 5. Sets, designs, costumes are fine. 6. Editing is baaad. I think the editing makes this movie look so ridiculous. A complete group effort sinks this movie. If you have nothing to do you can watch this but if you treasure your time and are selective then don't click on it.
We really need to understand that you can potray ghost like Villan. They are ghost, they really not require any dialogue or explanation. Above all when they see ghost in the movie like one in hotel, they were reacting perfectly normal. Pathetic
#1921Movie is a horror film, minus the horror part. Of course, u have the standard ingredients, like doors opening n shutting for no reason, bulbs flickering, scary whispers, haunted havelis n bad aatmas. The locations r excellent. Performances r decent. Some scenes r unintentionally funny. The lead couple, Kundra n Khan, is sheer eye candy. Rating 2/5.
