In this lurid "sexploitation" film, a masked serial rapist prowls the streets of Hollywood by night, stalking young female victims.
الإعلان الترويجي
طاقم العمل
Albert Zugsmith
Director
Susanne Suzan
Midge Lewis
Rene Bond
Terry Murphy
Jay Scott
Quentin Judson
Ric Lutze
Stan Driscoll
Britt Nilsson
First Victim
Vincent Barbi
Quentin's Father
Wes Bishop
Detective Sgt. Purvis
Alta Christopher
Woman
Jerry Delony
John Sherman
Sandy Dempsey
Sally Carr
Roger Gentry
Detective
Phil Hoover
Policeman
Marland Proctor
Man in Cafe
William Maron
Writer
Albert Zugsmith
Writer
قد يعجبك أيضًا
Call Me Alma
Dangerous Mind of a Hooligan
الغوغاء الايرلندي
A Love Story from the Streets
سقوط الثلج
عائلة المافيا السمراء
الأب الروحي لهارليم
بالارد
Bosch
شرق نيويورك
The Company You Keep
الحقيقة الضائعة
The Oath
Sheriff Country
بوسطن بلو
Stumptown
Shots Fired
عصابة ويستيز
الشيطان المتخفي: جون واين جاسي
Cold Feet
الحامي
Rebel
The Company You Keep
Ehostela
التعليقات
5 تعليق
Very strange this one. Given as the title is an exploitation film and being a rape and revenge one it turns out to be very strange indeed. At first there is a large number of brutal rape scenes (and a swastika carved in the poor girl's flesh) and then it all changes around. There are serious comments about the difficulties of convicting in rape cases, although when the girls think they have found the rapist it becomes rather amusing but then it gets really serious because they have to have a chair. A home-made electric chair! And at the very end the freeze frame of the masked rapist and dialogue overlap suggesting that maybe all men are possible rapists. Albert Zugsmith was usually a producer, writer, director of exploitation but he also just produced Touch of Evil in 1958 although the same year as The Female Animal. He made more than 20 films and then his very last one.
source: Violated!
This is a fun, albeit, uneven rape revenge movie that starts off with as a serial rapist runs rampant; assaulting not only our cast of characters but many others who are only talked about over the radio. It makes for a feel that the city is in crisis as everywhere we turn a new assault has occurred, often leaving the victim in need of severe medical care. But since the identity of the rapist isn't known the revenge part becomes equal parts whodunit and Death Wish as our squad of assault survivors take it upon themselves to find the guilty party at all cost. It definitely suffers from some inconsistent pacing but the final act more than makes up for it as the film goes further than most viewers would probably expect from such a flick.
