A documentary about the struggle and triumph of African-American family, community, and culture, using Kwanzaa as a vehicle to celebrate the African-American experience. The seven principles of Kwanzaa (unity, self-determination, collective work and responsibility, cooperative economics, purpose, creativity and faith) are so important to African-Americans today. The documentary explores the holiday's growth out of the Black Power Movement in the 1960s to its present-day reality as a global, pan-African holiday embraced by over 40 million celebrants.
الإعلان الترويجي
طاقم العمل
M.K. Asante
Director
Maya Angelou
Self - Narrator
Molefi Kete Asante
Self
Jim Brown
Self
Chuck D
Self
Lovensky Jean-Baptiste
Self
Maulana Karenga
Self
Haki R. Madhubuti
Self
Theodore Perkins
Self
Dead Prez
Themselves
Synthia Saint James
Self
Maya Angelou
Writer
M.K. Asante
Writer
قد يعجبك أيضًا
Addicted to Sexting
Rat Film
Stripped: Las Vegas
The Night Before
Sex Next Door
Sex, Explained
استوديوهات مارفل: مجمعة
Our Universe
The BMF Documentary: Blowing Money Fast
Top Guns: The Next Generation
Trust Me: The False Prophet
أسرار البنتهاوس
Michael Jackson: The Verdict
شرح المال
Secrets of Playboy
كشف المستور: مشاريع الأجسام الطائرة المجهولة
Should I Marry a Murderer?
Earthstorm
The Come Up
Digital Addiction
What's Next: The Future with Bill Gates
The Machines That Built America
Underdogs
Hulk Hogan: Real American
التعليقات
4 تعليق
Now we all Loved 500 Years Later. And this film coming from the producer has again sustained the quality necessary for African American documentary cinema. You know this film has the quality and sincerity of African people. It presents Africans in a positive light, just like 500 years later. And it is a shame that we had to wait so long for a film about Kwanzaa -- come on people. So between Asante and Shahadah they seem to be making up for lost films. In one hand, most Africans claim to recognize the plethora of negative images, which for centuries have been perpetuated by Europe, in books, films, news, universities, against Africa. It is voiced that Africa must do for self and African people must be agents of their own stories and controllers of their own images, like everyone else. If all of these things are true then what is the global African responsibility in actually building these tangible things so that they inhabit reality? Cant wait to see Motherland. I hope films like these keep coming and African documentary cinema continues to push new aesthetic boundaries
