Mandingo

دراماتاريخرومانسي
السنة1975
المدة2h 7m

في أربعينيات القرن التاسع عشر، يقوم أحد مالكي العبيد بتدريب أحد عبيده ليصبح مقاتلاً بأيدي عارية.

الإعلان الترويجي

طاقم العمل

Richard Fleischer

Director

James Mason

Warren Maxwell

Susan George

Blanche Maxwell

Perry King

Hammond Maxwell

Richard Ward

Agamemnon

Brenda Sykes

Ellen

Ken Norton

Mede

LH

Lillian Hayman

Lucrezia Borgia

Roy Poole

Doc Redfield

Ji-Tu Cumbuka

Cicero

Paul Benedict

Brownlee

Ben Masters

Charles

RS

Ray Spruell

Wallace

Louis Turenne

De Veve

DA

Duane Allen

Topaz

Earl Maynard

Babouin

BW

Beatrice Winde

Lucy

Debbi Morgan

Dite

Irene Tedrow

Mrs. Redfield

KO

Kyle Onstott

Writer

JK

Jack Kirkland

Writer

NW

Norman Wexler

Writer

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التعليقات

7 تعليق

gilsandra_spencerApr 4, 2025
SarkodieMay 29, 2023
user2082847222491May 29, 2023

source: Mandingo

Atmarani MohantyNov 18, 2022
IniedoNov 16, 2022

Mandingo

El dahbiNov 16, 2022

I can see why this was controversial, and no doubt it would be if it were released now (2013). It's stunningly unlike Gone with the Wind. The style is extreme Southern Gothic, (not to be confused with camp). Some shades of Tennessee Williams but goes beyond where he dared. The dialogue is a bit difficult, and DVD has no English subtitles, but you'll be rewarded if you stick with it. (No need to understand every word). I agree that Tarantino was influenced by it but his approach to the subject matter is very different. Mandingo stands on its own as a major work of the 1970s and it's certainly a film that deserves to be better known. Striking photography and music throughout. This film panders to no one, nor does it simplistically tell the viewer what to think about anything. We have the feeling we're on our own with this. Maybe it's no accident that that feels liberating. Fasten your seat belts and see it.

Djamimi💓Nov 16, 2022

This unflinching, hard-hitting look at slavery is a severely underrated and misjudged film. That's probably because it sheds light onto a tough, painful subject that many people would prefer to ignore or forget; if you're expecting a "slaves-and-masters-are-all-a-big-happy-family" depiction of the life in the mid-19th-century Southern plantations, then this simply isn't your movie. "Mandingo" was followed, one year later, by "Drum". They are both far better films than their reputations might make you believe, and they are also handsome, almost sumptuous productions with a far lower "sleaze" quotient than many reviews seem to indicate. They are both worth seeing - preferably as a double bill. (***)