A kept woman runs into her former fiancé and finds herself torn between love and comfort.
الإعلان الترويجي
طاقم العمل
Charles Chaplin
Director
Edna Purviance
Marie St. Clair
Clarence Geldert
Marie's Step-Father
Carl Miller
Jean Millet
Lydia Knott
Jean's Mother
Charles K. French
Jean's Father
Adolphe Menjou
Pierre Revel
Betty Morrissey
Fifi
Malvina Polo
Paulette
Nellie Bly Baker
Masseuse
Henry Bergman
Head Waiter
Charles Chaplin
Station Porter
Frank Coghlan Jr.
Boy
Antonio Corsi
Accordion Player
Harry d'Abbadie d'Arrast
Man in Nightclub
Stella De Lanti
Revel's Fiancée
Jean de Limur
Man in Nightclub
Charles Farrell
Man in Nightclub
Bess Flowers
Mannequin
Charles Chaplin
Writer
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التعليقات
5 تعليق
source: A Woman of Paris: A Drama of Fate
A Woman of Paris: A Drama of Fate
I don't understand how "A Woman of Paris" has received a good deal of bad publicity. Sure, it may have been because Chaplin wasn't in it, but I found the movie to be pretty good. The plot itself isn't all that exciting, considering the basic love triangle has been overused in recent years, but in 1923, this was fairly new- for movies at least. I enjoyed highly "A Woman of Paris". Adolphe Menjou is fantastic as a rich, snobbish, playboy who treats women like toys. Edna Purviance did good as well. Some may say that her character was "confused". Well, yes. When you're in love, you do strange things. Same thing applies to anger. Marie St. Clair simply was in love with Jean and had feelings for Pierre. She didn't know what she wanted, though. Did she want luxury or did she want true love. She obviously chose true love, even if didn't mean physically being with Jean. Great movie!
As his first United Artists picture, Chaplin tried a modern melodrama, perhaps thinking it to be what the public wanted. Unfortunately, it never comes together. Edna Purviance just seems to go through the motions though Adolphe Menjou is at his best. Many nice touches of the sort seen in pictured directed by Erich von Stroheim. Wonderful women's costumes and sets in the best Hollywood style. Try to see the film with live musical accompaniment - the Chaplin score is overwrought.
