A Woman of Paris: A Drama of Fate

درامارومانسي
السنة1923
المدة1h 22m

A kept woman runs into her former fiancé and finds herself torn between love and comfort.

الإعلان الترويجي

طاقم العمل

Charles Chaplin

Director

Edna Purviance

Marie St. Clair

Clarence Geldert

Marie's Step-Father

Carl Miller

Jean Millet

Lydia Knott

Jean's Mother

Charles K. French

Jean's Father

Adolphe Menjou

Pierre Revel

BM

Betty Morrissey

Fifi

MP

Malvina Polo

Paulette

NB

Nellie Bly Baker

Masseuse

Henry Bergman

Head Waiter

Charles Chaplin

Station Porter

Frank Coghlan Jr.

Boy

AC

Antonio Corsi

Accordion Player

Harry d'Abbadie d'Arrast

Man in Nightclub

SD

Stella De Lanti

Revel's Fiancée

JD

Jean de Limur

Man in Nightclub

CF

Charles Farrell

Man in Nightclub

Bess Flowers

Mannequin

Charles Chaplin

Writer

قد يعجبك أيضًا

التعليقات

5 تعليق

Sarthak BhetwalJun 8, 2023
#davotsegayeMay 29, 2023

source: A Woman of Paris: A Drama of Fate

MohamedNov 16, 2022

A Woman of Paris: A Drama of Fate

eijayfrimpongNov 16, 2022

I don't understand how "A Woman of Paris" has received a good deal of bad publicity. Sure, it may have been because Chaplin wasn't in it, but I found the movie to be pretty good. The plot itself isn't all that exciting, considering the basic love triangle has been overused in recent years, but in 1923, this was fairly new- for movies at least. I enjoyed highly "A Woman of Paris". Adolphe Menjou is fantastic as a rich, snobbish, playboy who treats women like toys. Edna Purviance did good as well. Some may say that her character was "confused". Well, yes. When you're in love, you do strange things. Same thing applies to anger. Marie St. Clair simply was in love with Jean and had feelings for Pierre. She didn't know what she wanted, though. Did she want luxury or did she want true love. She obviously chose true love, even if didn't mean physically being with Jean. Great movie!

Betty SalamonNov 16, 2022

As his first United Artists picture, Chaplin tried a modern melodrama, perhaps thinking it to be what the public wanted. Unfortunately, it never comes together. Edna Purviance just seems to go through the motions though Adolphe Menjou is at his best. Many nice touches of the sort seen in pictured directed by Erich von Stroheim. Wonderful women's costumes and sets in the best Hollywood style. Try to see the film with live musical accompaniment - the Chaplin score is overwrought.